Nordic films with philosophical tones are infinitely close to Ovie on this scale. There is no resistance to such a film that is neither vain nor impetuous, deliberately deduced and has a strong philosophical flavor with a touch of philosophical speculative narrative. Omar sy's untouchable, Kane's youthful vigor, Giuseppe's Sicily-slowly savor the rich and mischievous (and heavy) life. The rhythm is great, I can't get tense at all, but the context, content and narration are gradually lost, 8-turned to the magical style, slightly restored some decline, but it became more and more boring. Second-rate comedy
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