twenty two

Monique 2022-01-16 08:01:54

Some time ago, I joked that my internship resume wrote: I am good at running.

Liqiu, night running accompanied by breeze, the number of kilometers is not clear, just remember: I like to fall into the water, constantly combing the 22-year-old year.

"I Follow Rivers" circulates in the headset, and my thoughts are pulled back to the original point. Contrasting with the present, thinking about things different from anxiety are in different states.

Before graduate school, I would watch a film and read short stories every day. But it turns out that watching and reading in a planned way is not suitable for a casual person like me. Movies and text occupy my leisure time, but I don't want to swallow my life and don't force myself to watch movies that I can't do. The fun of reading and watching movies, for me, is staying on a certain page repeatedly reading a fragment, or discovering the props in a movie.

I have the consciousness of engineering students. There are not many people who pay attention to text and images in the surrounding environment. My interests are on the fringe, which is not worth it. Wandering between professional courses and video texts, being complained is a "split" person, but after experiencing it, I will find that there is a certain relationship between the two. I recklessly understand it as similarity and complementarity.

The direction of study is ancient architecture and wood construction. In the industry where concrete is replaced by new materials, it seems ancient and partial, but just like the old movies I like, it has its charm. Daily tasks are governed by intensity guidelines and constitutive relations. However, I gradually discovered that when starting specific tasks, the inherent anxiety and fear are also disappearing.

The book, audio and video sequence records the ups and downs of emotions, and I watched Hamaguchi's movies at the beginning and end of the year. From the dissociation and loss of "Night and Day" to the coincidence and encounters of "Occasion and Imagination", they all mirror life. The open-mindedness and openness encountered are narrow and closed I can't imagine. Let me think more about the meaning of intimacy. It's not just walking in company, nor is it another person in the world. It will be a spiritual fit based on complementary personalities. Thinking of Xiaoman, the night when Xia Feng was intoxicated, Lennon's "oh my love".

Like a photo-Almodovar awarded the Palme d'Or to Judy Foster. Seen in the dynamics of the top, "queer power" is attached. In the increasingly closed surroundings, what it brings is exciting. Remembering Mattel’s award speech to Almodovar: “The extreme right is rising in the world, as if nothing has happened, Pedro, we need you more than ever.” Maybe talk to your friend from "Female Addicts." The experience of "Piano Teacher" will become more difficult afterwards. I think of LaBeouf's words after the screening of "Female Addict": "Seagulls flew with trawlers because they thought that sardines would be thrown into the sea."

Watching Zweig’s "The World of Yesterday", what I yearn for most is the description of Rilke, using the idle pen of talking with people in life to outline his characteristics: gentle, humble, with his own inner core but not casual show. In the ten years of the villain, Jin Jin said: "Don't be a nostalgic survivor of a certain generation." You can't decide whether the environment is good or bad, and don't take self-pity into the shadows. It is in my heart and in the surroundings.

Looking back at the movie-watching experience of "Metropolis", only Mia reads the poem "freedom" silently in my mind. I like the name of Hong Changxiu's movie-Freedom Hill. The passage in "The Silence of All Things is Like a Mystery" is what I think is the most important to freedom. Good interpretation.

"I prefer movies and cats. I prefer green and leave early. I prefer the absurdity of writing poems over the absurdity of not writing poems. I prefer chaotic hell to order. I prefer to keep this possibility in mind— The reason for existence is not fake."

This is My 22-year-old "Wild Pear Tree".

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Extended Reading
  • Lorna 2022-03-17 09:01:07

    #5500. #Cannes71# 7 points. It’s nothing to say if the photography is good. It’s wonderful to see the mountains in the golden autumn, the fog in winter, and the sunshine between the leaves. However, it’s really boring to have a conversation starting from half an hour, there is no need to have such a long time...the key is more than one. field. Fortunately, all the small tricks are good, it's okay to turn around and dream or something. The ending half an hour was so touching, it was almost overwhelming. The indifferent dad and the son who is mournful and owed.

  • Delia 2022-03-30 09:01:09

    The hometown mocks the unworthy son, just as the son mocks the unremarkable Lao Tzu. Only when they realize that they are not contained by this land can father and son realize the possibility of reconciliation. The son's acceptance of his hometown's disapproval of him was finally confirmed by the obstacles from love to friendship, secularism to politics, religion to philosophy. A rope strung together three generations of grandparents and grandchildren, as well as the birth and death. More willing to believe that Sinan hanged himself at the end, and that Sisyphus-style drilling a well to find a way makes people unable to bear the sadness of romanticism! Still don't accept overloaded dialogue, but some single scene scheduling really shines. In the scene of stealing money, the old and noisy TV background sound and the connected family quarrel form an intertextual text. It may be saying: For thousands of years, Turkish family relations have never been like this.

The Wild Pear Tree quotes

  • Sinan Karasu: You know, sometimes things I see in you, me and even Grandad remind me of a wild pear tree. I don't know. We're all misfits, solitary, misshapen.

    Idris Karasu: Everyone has their own temperament. The thing is being able to accept and like it.

  • Sinan Karasu: You know, sometimes things I see in you, me and even grandad remind me of a wild pear tree. I don't know. We're all misfits, solitary, misshapen.

    Idris Karasu: Everyone has their own temperament. The thing is being able to accept and like it.