Dolan said that his works have self-projection. He is indeed narcissistic, and every shot he appears has been carefully set up. The hostess's final dialogue with the barber may also be Dolan's inner voice, and the barber's indifferent expression is even more of his self-deprecating. Fu Girl and Dolan have sensitive personalities, and they are obsessed with Nicholas, who is cheerful, independent, charming, and they love each other but don’t want to rest. Perhaps the most feared thing for such a person is a fixed period of time. The relationship, so the ending seems to be clear.
The movie's discussion of sex and emotion is very clear, and emotion is always the first. The two protagonists have similar emotional development to Nicholas. From paying attention to wanting to know about likes, their way of dealing with such feelings represents extremely sensitive people, rather than what other people say, they feel like a bad girl. They seem to be cold in their hearts. They have a strong desire for love. They observe the details but never reveal it easily. They seem inattentive but remember it better than anyone else. They slowly say what they want, don’t talk about the pain, and make every effort to make themselves strong, but always It is to lead things to the point of uncontrollable. So Dolan uses bangbang as their music for love, which is tragic and dignified.
The film is interspersed with the dialogues of several people during psychotherapy, which is consistent with the theme, and uses the mouths of people who have nothing to do with the plot to show the frustration and cowardice in the emotions. It seems that the whole film is a feast of emotions, and the focus is on display and harmony. It reveals, and the beautiful shots taken by Dolan also confirm this. He is an extremely romantic person, who loves life and is narcissistic, attaches importance to feelings but despises life.
The film involves many avant-garde artists, and the music in it is his favorite, not to show his taste. It is unfair to label the new director as a tribute.
If the previous work is the intense emotions of adolescence, this one is more like telling everyone that his maturity and many feelings are accumulated in his heart. It is his transition to a mature director. That is why the current "Double Lawrence" is born. When I watched this movie, I didn’t know that he was the director. Then I watched "I Killed My Mother" and felt his strong desire for control and expressiveness in the movie, which he played down in "Fantasy Love" a feeling of.
Mianmian said that vanity is an elegant flower worn by young people. That's why Dolan's narcissism, extremely romantic, is so attractive.
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