The person who writes the poem is cute

Davon 2021-12-30 17:17:16

I watched the documentary "Life Is Like" directed by Roy Anderson at the Film Archive today, only to realize that I had been making a mistake before. I thought this "Singing from the Second Floor" was the first after "You Are Alive". Department. It seems that the director is becoming more and more rational and calmer, looking forward to Thursday's "Hard Branches and Quiet".
But compared to "You Are Alive", I like this one more. The director adds more emotion to the expression of this absurd world than just looking at it from a distance. The connection between the characters and the plot is also closer. Although I still can’t tell who is who because of my blind face and the large number of characters, I can still see a clear clue in the scattered plot. Kahler’s eldest son, who burned the shop and wanted to defraud the premiums, went crazy because he wrote poems. The younger son kept repeating his brother’s poem "The one who sits is cute". Kahler felt that he was in a miserable situation and went to church to confide in him. I went to the merchant and bought some crucified Jesus images to sell. I wanted to get more zeros in my bank account, and I had borrowed money, and now my deceased relatives and a Russian who was killed because of racial discrimination. Having been pestering him, the image of Jesus couldn't be sold and was thrown into the garbage. There are many other plots interspersed in this clue. The magician cuts open the belly of the audience who took part in the performance. The officers pretended to celebrate his 100th birthday to the general trapped in a cage-like bed. Countless people Pulling heavy luggage and want to escape here to reach freedom, but was overwhelmed by the luggage. All these logical absurdities let us see the stupidity of this world step by step, and we are desperate.
The documentary reproduces a lot of the filmmaking process. The director puts a lot of effort into the setting. The film should basically be shot in the studio. Many distant scenes have used visual aberrations to set the scene (so the whole story has a fixed lens?). The characters are not "beautiful" either, just like you, me, and all living beings. The actor's makeup is also obvious, and the faces, including the extras, are painted pale, just as weird as the film itself.
This is a film that can trigger thinking, let me think more about it.

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Extended Reading
  • Danielle 2021-12-30 17:17:16

    Why did you want to watch such a cold and gray movie in the first place? But it is not directly cold. The characters and stories in it are stiff, gray, frustrated, stagnant, slow and repressed like performance art, uncomfortable at first, and it seems that I have become this gray after reading it. Don't think about it anymore. People should avoid psychological cues. 20110628@home

  • Braden 2022-04-23 07:03:43

    The first part of Roy Anderson's life trilogy also created his own unique video style. Postmodern video style that rejects grand narratives, fixed long shots, stage-style sets, fragmented life scenes, icy modern urban landscapes, alienated interpersonal relationships, city streets with traffic jams all the time, expressionless citizens, labor The depressing and anxious living state brought about by alienation, few words and clumsy body language, ubiquitous symbols and metaphors, with realism as the core, put on absurd coats, extremely humorous and extremely cruel.

Songs from the Second Floor quotes

  • Kalle: What can I say? It's not easy being human.

  • The speechwriter: My approach was a rather philosophical one. About being human year after year. This is how I see it. Life is time, and time is a stretch of road. That makes life a journey, a trip. Don't you think so?

    Stefan: Yes. I guess you could look at it that way.

    The speechwriter: Yet in order to travel you need a map and a compass. Otherwise you wouldn't know where you were. Would you?

    Stefan: No.

    The speechwriter: And our map and compass are our traditions. Our heritage, our history. Aren't they?

    Stefan: Yeah, sure.

    The speechwriter: If we don't understand this... Before we know it, we're fumbling around in the dark. Where are we?