The 10th #法罗岛电影节# The 7th screening day of the main competition unit will bring you "A Letter from a Strange Woman", and the following is an evaluation of the alienation and desolation of the frontline scumbag!
Mimi:
Women's yearning for love is pure and loyal. I have been living in my ideal love, but ignoring the reality of life, so it also created such a tragedy.
If you can't love others, how can you love yourself, which also creates the tragedy of the hero.
Fruit trees:
The almost perfect adaptation of a perfect novel, the only point of dissatisfaction is that the heroine's tragic ending is too brief, perhaps the director can't bear it.
Ye Fan:
A full year ago, I watched a one-man drama of the same name starring Huang Xiangli directed by Meng Jinghui. In the play, Huang Xiangli played a mad woman heartily. The heroine in this film is less mad than her The ending also became a bit abrupt.
kc512:
The story of a scumbag complaining about a woman is a bit unbearable for such a straightforward emotion. Fortunately, the actors acted very constrained, and in the last five minutes they resorted to sensationalism: memories and ghosts make the ending of the film quite complete, and the form is an example of saving the script.
The song is wrong:
The secret love is so romantic that she is his passerby, but he is the love of her life, full of affection, and finally wronged.
No one at midnight:
There is a kind of love as it should be, without cause and fruit. Swallowing a thousand words on the occasion of raising his eyes and facing each other, and being separated by thousands of miles when the skin is on a blind date. The beauty released by Joan Fontaine is like a flower in a mirror and a moon in the water. It is so full that it will vomit, and it is too weak to hold it. However, in my mind this story should be more like Zhang Ailing’s, sharp and dull, instead of wrapping this rootless crush like a candy like this film, as if it’s holding it. The palm is too hot to heat it to melt, not because the other party gave you an expired candy at the beginning. That sense of tragedy is not like sweeping the fallen leaves of autumn wind, but a stronger inner destiny. Speaking of Xu Jinglei's version, although the technique is extremely poor, but the emotional expression has caught some sense of alienation and desolation.
We Min Hee:
The Hollywood romantic movie model once again destroyed the good text, and after becoming "clean", it makes people feel nauseous.
Pincent:
Little girls are obsessed with older men, but in a sense, men will never grow up, understand too late, emotionally, women are better at it. Too tender, Hollywood-style packaging makes the best adapted version of this original work, like a romance between a pair of golden boys and girls in the golden age, accompanied by false and perishable attributes.
The Queen of the Faroe Island Empire:
You are infatuated like a silly critic, a woman suffering from hypothesis falls in love with love itself.
Bob Chow:
It was even more shocking to watch Meng Jinghui and Huang Xiangli's stage plays before watching the movie, because the heroine's image is fundamentally different. The symmetry of the space and the eloquent love of the beginning continue to spread the thinking and pursuit behind, and give the narrative element in the film. It seems to be a tease of the rough fate of the woman and the lack of power in love, but in fact, it is the opposite of this, with a kind of pathological persistence to determine the fate. Letters and flowers, Victorian streets and cafes, are essentially reminiscent of marginal emotions. They are light, disorderly, floating in the air, but they will be breathed by every audience.
#FIFF10#DAY7's main competition score will be released for everyone later, please wait and see.
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