between realism and surrealism

Joesph 2022-11-19 03:49:52

There's something between the realism and surrealism.

Every bridge in this film is N pair of works of art, the first two people's first acquaintance: clear, thorough, contrasting, showing Spanish-style sentiment; the two in the middle move forward in ambiguous : Single, pure, until the two of them play in the water at night, the moonlight reflects on the water surface, it is really like what is written in the elementary school textbooks, the silver mirrors are scattered in the water, the two white bodies rotate in the green and clear water, the water droplets are like crystals It flows down the arm...until the kiss; the following divisions and divisions, politics, ideals, and emotions are all complicated, and those pictures are no longer so beautiful, like realistic landscapes, those disturbances are no longer flawless Pay attention to those beauties, and the characters inside are no longer the same as before, and at the last moment of Lorca's sacrifice, in the grass, everything sublimated into an artistic picture.

Dali, a master of surrealism, has such a realistic relationship with the poet in this film. Dali is dazzling in the story, from beginning to end, even if there is no fledgling clear, cut off the ruffled shirt, mushroom hair, change into a suit; "I'm a genius" His conceited personality has never changed . But he is definitely not the protagonist. The poet Lorca occupies a place at the center of the characters with a poise and maturity that absolutely surpasses Dalí, as well as revolutionary firmness and emotional romance. I still can't trace any clues to Dalí's twisted character. He suddenly went to France with Buñuel, photographed Andalou's dog, and finally got married, but was silent at Lorca's rejection, and painfully mad at Lorca's death, but turned again. Instant reply, is that because of the shackles of religious belief? Social restraint? Shadows of the past? still? In my opinion Dalí is selfish, Lorca is righteous and Margarita is selfless.

Turning to the meticulousness of the production, every picture, light and color are the top grades of fine art, and the music is also beautiful. In addition to the pictures that are like works of realistic style, documentary influences, montages, surreal fragments, and sound are also added from time to time.

The combination of the painter and the poet, the enjoyment of vision, and the beauty or sadness of listening, the beauty even ignores the barriers of their gender, that is the surreal emotion and realistic life of Dalí and Lorca in Spain that I have seen.

View more about Little Ashes reviews

Extended Reading

Little Ashes quotes

  • [first lines]

    Federico García Lorca: [whispering voiceover] Dry land, quiet land of immense night. Wind in the olive grove. Wind in the sierra.

    [overlapping dialogue]

  • [last lines]

    Federico García Lorca: [whispering voiceover] Dry land, quiet land of immense night. Wind in the olive grove. Wind in the sierra.

    [overlapping dialogue]