The title of the film is taken from a fine art work of Salvador Domingo Felipe Jacinto Dalí i Domènech, which is collected by the Queen Sofia Art Center in Madrid. Regarding the relationship between Salvador Domingo Felipe Jacinto Dalí i Domènech and Lorca shown in the film, Salvador Domingo Felipe Jacinto Dalí i Domènech explained to the public that he is not a comrade, but Lorca single-sidedly indulged in him, and twice I tried to have sex with him, but I was reluctant, and it hurt when I did it, so basically nothing happened. However, the film screenwriter Philippa Guslet has done a sufficient amount of research on Salvador Domingo Felipe Jacinto Dalí i Domènech and concluded that there have been two differences between Salvador Domingo Felipe Jacinto Dalí i Domènech and Lorca. Consensual intimacy
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Little Ashes Creative background
2022-01-24 08:05
Extended Reading
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[last lines]
Federico García Lorca: [whispering voiceover] Dry land, quiet land of immense night. Wind in the olive grove. Wind in the sierra.
[overlapping dialogue]
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Profesor de Arte: You have 20 minutes to deliver an oral critique of Raphael. You may begin... Mr. Dalí?
Salvador Dalí: Gentlemen... I returned from Paris with a conclusion that the entire amount of real, artistic knowledge contained within this panel of professors is not equal to one half of this. This, my fingernail. Not one half, gentlemen. And I've been insulting myself by letting your shruddy practices, your pathetic, outdated theories and questionable characters shit on my genius. And I hope with all my heart that you'll realize I'm right and give up this foolishness and go back to the pigsties and the haystacks, where you might be of some real use.
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light as dust love
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clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap clap
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The afterglow of an olive voice
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Little dust (wishful poetry is wishful thinking)
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Dali and His Lover: The Beauty of Disillusionment