Today, I went to see the Pacific Ocean. After I came out, it was a cool word. Compared with Transformers, I think the beauty of the Pacific Ocean lies in the power of fighting. The American mecha uses containers and freighters as tiles and monsters against each other. Coupled with the sound effects of the movie theater, it is absolutely heart-pounding.
In the beginning, the actor and his brother played a double operation to fight the monsters, and then they were attacked by the second wave, and the brother bento. I was wondering why the monster didn't tear the mecha apart.
Then, the protagonist's heart is traumatized, and the human beings stupidly repair the wall to block the monster. The protagonist is a member of the brick-moving army. After a few years, the protagonist returns to become a driver.
(In almost all movies, the beast has to give a close-up of the frontal yelling, this is a stalk)
The heroine will appear next, a Japanese girl, saying that the movie is a little tribute to Japanese comics, it is estimated that the Japanese girl will do it. The lead role, and the Japanese girl has more characteristics and good acting skills. I have checked the information of the Japanese girl and turned out to be the best actress in Oscar. By the way, I am a little brainy enough to supplement Zhang Ziyi, and Zhou Xun would be more in line with Zhou Xun if he were to play this role. And the plot is not like the male protagonist in Transfiguration, it's really pure friendship.
There is also a small branch of the story, which is about two scientists studying monsters. Finally, a method of killing monsters was worked out. It's not tasteless.
When the two pilots test the mecha synchronization and coordination and need to share memories, substitute the memories of the heroine, and the little Lolita chosen is really good-looking.
It turned out that there were a lot of mechas, but then only Maozi, Tianchao, Kangaroo Kingdom, and Mi Di were left. Tianchao and Maozi are said to have killed a lot, but the plot needs to be convenient. Maozi's mecha is very domineering, and the pilot is also very domineering. The Celestials are three brothers, agile mechas. Soon it's lunch, tears rushing. By the way, when the three brothers of the Litian Dynasty were in the restaurant, they used Chinese to say the protagonist, what are you? Funny.
Kangaroo country, there is a feeling of high. For the penultimate fight, Mi Di's protagonist's halo is undoubtedly, making up the gun, smashing the bricks, and slinging the big knife. This Nima is going to hang up. Then Hong Kong was smashed. Perhaps Hong Kong has his particularity. Now more and more works appear in Hong Kong, but it is still the scene of that market.
In the end, the protagonist and Kangaroo country went to the monster's hometown, licking and licking. Inside, the heroine speaks Japanese when she is angry and slaying monsters-for my family, that spirit.
About the last half an hour is basically Dangdang, swish swish, frame, swish. As a summer blockbuster, I said that there are no ads, no matter how far-reaching the culture is, and I don’t want to be so clichéd. It’s really a big conscience.
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