The laughs and frowns of the old drama are all dramas, especially the scene of buying shoes and giving them shoes, the taste in it is beyond words! It's just that the ignoring (overly weakening) of Norman's "motivation" in the plot seems a little unclear, and even Norman's only "one image" from the beginning to the end magnifies this question-motivation? ! WHY? The climax of the film (also Norman's life climax) is only expressed through editing, which is also true and illusion. Just as the minister said the "Ferris wheel" effect, turning to the lowest point, Norman chose to "get off the car", just like a clown's curtain call. The bench on the side of the street, slid the needle medicine into the sewer, smiled and took out the deadly peanuts. The dedication at the end is even religious. Perhaps this is the case with political movies, obscure + taboo.
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