varda's olive tree

Abelardo 2022-01-18 08:02:30

I feel that the Chinese translation of the title is very problematic and misleading, making people think that this is a melodrama-style melodrama of the underprivileged. In fact, as the mother of the French New Wave, Agnès Varda’s reflections are twofold: On the one hand, the various characters encountered during the wandering journey of mona make her unconventional way of life impact all kinds of daily life patterns and concepts full of prejudice and hypocrisy. Like a nephew of a technician, hoping that his aunt would die early to inherit her inheritance, the appearance of mona tore through the false veil of the warmth of the middle class. On the other hand, Varda also introduces a multi-voice approach to allow different encounters to evaluate mona. Some such as technicians’ wives are just contempt and disdain, and some intuitions that mona represent their dreams of freedom that they can’t explain or have the courage to pursue. When Mona passed a farm, the owner of the farm was a wandering generation in the past, and like Mona, he gave up everything in search of freedom, so he may best understand Mona's mental state. But he pointedly pointed out: Mona refuses to settle down means self-destruction, she refuses to work, and regards herself as useless, and has become part of the system she resists.
Is this also Varda's reflection on the new wave and the youth rebellion in the 1960s?
In terms of technique, the film still inherits Godard's method of breaking the gap of illusory space, allowing the characters to speak directly to the camera audience. However, these conversations implied an invisible narrator, that is, a reporter-like "I" who pursues mona's traces, but "I" is always just an invisible voice.

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Extended Reading
  • Stacy 2022-03-18 09:01:06

    this. Heavier. Would like to be such a person. Then laugh at such people. Then despise such people. All because of the inability to become such a person. But she cried at last. She cried before she died. This is lingering. Lingering. Why are you crying? why? Life of your own choice. why? the loneliness eat them up. Death is not the answer. Although death does not require a reason.

  • Miller 2022-04-20 09:02:21

    Choose absolute and complete freedom, absolute and complete loneliness, and absolute and complete on the road. The documentary-like lens stares at Mona. Mona's walk connects the people in the town. When everyone faces the camera directly, they express their secular vision. This vision condenses the two ends of individuality and society. The form is too wonderful. The more thoroughly Mona resists human sociality, the more thoroughly it shows how thoroughly all human individuals are kidnapped by social rules. The entire species follows one value, you must work, you must be decent, and you must change bread, or you will be degraded and will eventually disappear. This one rule cannot allow anyone to exist in a different form, but all the rules within However, after despising and denying her, people couldn't help but envy the angel who decided to never belong to their race. Because the free soul is unforgettable.

Vagabond quotes

  • la platonologne Mme Landier: Why did you drop out?

    Mona Bergeron, sans toit ni loi: Champagne on the road's better!

  • les Bergers: She blew in like the wind. No plans, no goals... No wishes, no wants... We suggested things to her. She didn't want to do a thing. Wandering? That's withering. By proving she's useless, she helps a system she rejects. It's not wandering, it's withering.