However, Teacher Zhang Che has taught you long ago-you must remove your shirt before fighting

Carson 2022-01-24 17:48:40

If the team battle at the end can be stretched to 20 minutes, after the eighteen weapons, the rogue Jie takes off his jacket and tears the Hellflower's vest (but keeps the tie and shirt), and then the two of them tumbling into the beach disheveled. In fact, I don’t know what is necessary in the small indoor ditch, and then fist and fist to the flesh, from Tai Chi Wing Chun to wrestling sumo, and finally let the jail flower hang the southeast branch (the villain will kill me) This is not a spoiler.)

In this case, I can give this piece a five-star ignorant of my conscience.

In fact, even if there is no 36D weapon on the stage, the three-piece big-back head evil charm facial paralysis Prison Flower Jin and the black as ink, thin, mad and arrogant Bing Jiaogu, are enough to make my second girl's heart turn back 360 degrees plus somersault. Swivel 180.

PS: I have been hobby of Gu Tsai for many years, and I was actually salvaged by such an oppressive madman. What is the situation! ! !

The reason why I can maintain this kind of sanity is first of all thanks to the char siu powder who successfully gave me "Fight for Her" Amway.

After Zhang Jin (literally) beat the dog, Mrs. Zhang hugged and kissed him and yelled "It's amazing" and then... he kicked him down with a kick. The scene of the land. Cough, unless it is the female nerve Ada who concealed her identity as Huang Feihong's direct disciple, otherwise this tacit cooperation is comparable to a trick, which can only make people come to one conclusion: she is very used to kicking like this, and he often falls like this. So spend in prison board straight back and shoved a small concave shape when one saw the wedding ring on his hand, I thought of that, "Zhang you would not loaded S, and do not hurry to call the domestic violence hotline 25220434"

out The drama is too much.

Then, I have to thank the screenwriters for being too genius! In ordinary notebooks, viewers can only find loopholes in plots, but this notebook actually allows people to find plots in loopholes! It's really not easy.

If Chen Yongren knew that all undercover agents now use their personal mobile phones (donating bone marrow will not be a work phone)-and it’s not a basic phone that can be smashed up and down, but it looks a lot like a stick. My sister’s Sony communicates with her superiors.
Moreover, after the undercover agent was caught in a Thai prison inexplicably, the self-rescue method adopted was actually to shout "I am a Hong Kong policeman!" during the expiration time. You are expecting the prisoners to collectively incarnate into justice friends and partners after knowing that you are a policeman. You staged a jailbreak? If you really think so, at least learn what the Thai "policeman" says! You see, the villain can speak Chinese, English, Korean, and Thai (however, in Korean, it’s a magical horse!)

Such an undercover can survive, and of course the villain’s IQ is not much higher.
I said Hong Sheng, why don't you just give your brother some medicine while eating together and go to Thailand? Why bother to tell him in advance, "Hey, I'm going to take your heart."
And since you know your brother's escape plan, time, and route, if you use his hands and feet in his car, isn't it much more likely to win an ambush on the road? So precious little living heart, how can you rest assured that a group of big bosses will grab them with guns? If one is accidentally broken, ask someone to reason.
In fact, your personality is purely silly and sweet to scare people by perverted modeling.

The protagonist’s IQ is all sent for the phone bill, and of course the supporting role’s IQ has been in arrears. This is how Ren Dahua and Koo Tianle had a conversation (in the context of the script should be) on the front.
Gu Tianle: "I have been sick from the age of 10 to 43 now. I have been sentenced to death by doctors every year. I have changed several pacemakers."
Ren Dahua: "Does your brother know you have this disease?"
I was incapable of management at the time. . Be very careful! have! many! Big! His younger brother didn’t know that his brother had been wandering around the gate of ghosts for 30 years? What's more, Gu Tianle's shape is completely engraved with the six characters "I'm sick and abnormal"!

There is no need to test IQ for the police in Hong Kong now! No! Yes! Hello, West Kowloon Crime Squad! ! Goodbye, West Kowloon Crime Squad! ! !

As far as the screenwriter is such a logical level that he needs to do psychological counseling, he actually wanted to use double clue narrative, and use inverted narrative, which also added a variety of humanistic care beyond the cognition of Secondary Two. Really afraid of immortal rhythm!
At the end of the film, the wolf with five hairs of special effects reappeared, and the script also used the dialogue to "face the fear" with self-explanation (if you don’t make it, you won’t look so stupid, at least there is a mood). My eyes have turned to the retina. rupture.

What kind of hatred or grievance does the current Chinese-language film screenwriter have with the audience! ! ! What kind of grudges, ah, ah, ah!

Action movie, it is a genre movie! Type film! ! Type film! ! ! Which one of the three characters can’t you understand!

All the contradictions in action movies are to pave the way for the fight, the plot must be developed through fights, and the ultimate way to solve the contradictions is to kill the villain by the decent.
The foreshadowing can be: to have hatred, to be affectionate, to seek wealth, to protect the family, and to protect the country.
The development of fighting should be divided into: wheel (for heroes fighting), fighting against monsters (for rookie leveling), and a combination of the two.
The solutions to fight are: heads-up, one-to-many, and team battles.

If the main character of an action movie does not know how to fight, then it must be the fuse for the pros and the villains to fight, or can influence the final result of the fight. For the characters that can be played, their personality must be combined with the action style, and they are reflected in the action and winning or losing in the process of fighting.

So the core content of action movies is-fight. Everything else must be developed around this basic. This is not a suspense movie, the plot does not need to be complicated! My "Vengeance" directed by Zhang Che is that my younger brother hacked all the way to avenge his brother. It was so simple and rude, it was enough.

Action movies are good in play and rhythm. Don't let the audience's mental state be lost in the middle of the

film. What the hell are those background introductions dozens of minutes before the film! I think the literary drama can be cut for 45 minutes. No kidnapping of pregnant women, father taking daughter to skate, uncle persuading nephew to quit drugs, brother telling brother to change heart, just start from the kidnapping scene.

Later, we must basically guarantee a rhythm of a small dozen for 10 minutes and a big dozen for 30 minutes. The two protagonists should hand in hand to the boss to explain the level difference. The length of the ending team fight logically should be increased. But in this part, I think this piece of martial arts is not coming.

The filming has declined, and many people say that it is because the star is not picking up. But look at how good you are in such a rotten movie! Not only is it international, but you can even have a decent face (sure enough to wash, cut and blow the sea, it’s okay! Childlike innocence combs the hair, and when the face of Uncle Depu, who looks a bit like decisively, hasn’t been widened),
this is a good product. Yiluoguan (if you insist, female stars are less able to catch up. Huiying's red filming of "Eighteen Martial Arts" is really awkward), the main reason is that the martial arts can't sell, and the director can't.

Aside from talking about it, I saw a bunch of barrage in the B battle before and said, "Ma San finally used the old ape hanging seal." I can't understand.
In "The Great Master", Ma San used the "Old Ape Hanging Seal", but he didn't "look back" so it was broken by Gong Er with "White Ape Offering Fruit". "Old Ape Hanging Seal" means hooking the opponent's head and pressing the knees. "Looking back" means turning the head when entering the knees and not allowing the upper body empty door to be opened.
If you put your knees up front like Ma San, it's a bit like Muay Thai. Therefore, the story of Hellflower's beating Tony should be the use of Gong Er's "White Ape Offering Fruit" to break the opponent's knee. In addition to paying tribute, there is also a sense of "my great Chinese martial arts is profound and vast".
Or do I have a wrong understanding of "The Great Master"?

Regardless of whether it is the old ape or not, Ma Sanhuan, who has shaved his beard, combed his head and wore a suit, is very fierce. That's for sure. It is very inconsistent with the style of the other two protagonists.
The villain's opening and hanging is normal, but the magical route from Wu Jing's realistic hard opening and hanging all the way to pulling up the volley is a bit too much.

The reason why a prison flower is a prison flower is that it has a calm and frosty (?) body and facial expression management when fighting, especially when facing a pincer. Seeing that he was almost pushed to the wall, his face was still paralyzed, and his eyelids didn't blink. At the end of the trick, remember to play Boss. Once this kind of scene is filmed, the audience who has played in action movies knows that he is a master master. And there are a few volleys that can be done to kick Zhang Jin himself... well, you don't need to let him fly on WIA for a while.

In addition, it was a bit too much to break Tony as soon as Hellflower came up. Even if he watched Tony's rally with Wu Jing in time, he seemed to be very familiar with the two men's moves, but according to the set, Wu Jing was addicted to drugs and was too physically exhausted. He was not like Tony. It is possible to play 100% of the two. By the end of World War One, Tony was desperate for his daughter's rhythm. If he was broken as soon as he attacked, it would not be able to reflect Tony's psychological change.

Wu Zhi not only cares about whether the action design is good or not, but also considers the character matching and plot follow-up considerations.

Do I feel that Tony Jabi in "Quick Exclamation" plays well in this film is an illusion? Part of the reason is that Tony's fattening caused the speed drop. Wu Zhi's failure to design more cool moves based on the characteristics of Muay Thai was also a waste of this good meat. Tony's golden play period is almost over, you play and cherish it!
Master Liu Jialiang’s Kung Fu movie is a hard bridge, and the plot is still stunned. When it is about to start, the weather, the environment, and the props around it must be indispensable. In this film, the silly lack is two fists and two legs (well, one leg is better than one leg).
Chinese martial arts still talk about the triad of heaven, earth and human. In the desperate situation, the small details of using external factors to turn have no feeling at all, that is, eating instant noodles without seasoning. Tony's whole chain is purely for the last saving. As for spending a second in prison to become Wolverine, I'm really enough.

Wu Zhi can't make up. The director will not follow.

Zheng Baorui doesn't know how to make serious fight scenes, don't you really know it? It’s really not easy to make a good-looking film. You must be particular about the angle of light, which moves are close-ups and which are not close-ups, which actions are replayed and which are not replayed, and which are slow-moving and which are not slow-moving.
It's good for him, no matter if he doesn't know how to cut, there is a Mozart behind him. The rhythm is totally wrong.

The prison flower said that this amazing soldier of mine can only help you get here.

In fact, the director didn't arrange how many roles in the prison flower, and the effect of "lying down and grabbing the show" is really amazing.

Did you design the Hell Flower action by yourself? Very clean and tidy, and with a fierce vigor. So what is Wu Jing thinking?

In other words, although I personally prefer the kind of crooked roads that are fast, cruel and cunning and cruel, I still admit that Jet Li and Wu Jing (especially the meeting son of "Tai Chi Master") have good-looking and chic movements from the perspective of viewing. Yuanrong has a master's style, and knows that he is decent as soon as he shoots.
However, Wu Jing refused to go this way. Tai Chi, gossip, or something, older age, body fat will not have much effect, anyway, it's a routine. But if a person with a mustache and a second illness set up Sanda and hooligan boxing, he really has to do it only quickly and not break through ten guilds. Once the speed and power are down, the attractiveness is too much discounted.
There is a scene where Wu Jing knocks over the carp from the ground. It feels like a carp that is a little bit supportive. It takes half a second longer than the time when Killing Wolf 1 to stand up. Prison battle, according to the Kung Fu film routine, there should have been a close-on chaotic battle around the mobile phone (that is, the mobile phone was thrown to the bottom, and then multiple characters were fighting low and high), but they couldn't get out. He turned into a laugh while holding the phone to find the signal all the way.

But Tony and Zhang Jin's literary drama are still very good. Although Uncle Tony suffers from a bad appearance, he has a lot of foreshadowing and turning points, and he has a lot of emotional drama. Although Zhang Jin is assumed to be facial paralysis, but when there should be internal drama-when boss Hong was poked into his unbearable years in public, and when he intended to buy Tony with the bone marrow of the little girl-he actually made it with his eyes (marry How important is a wife who has great acting skills?)

Wu Jing's character is also sloppy, and he still has a baby face with a beard (and the original sound is still a baby sound is really terrible), the literary drama is not eaten, and the action drama can't make money. If Idemitsu, the protagonist's presence is really too low. The limelight is not as good as Zhang Chi, who was knocked out by him as a miscellaneous fish.

Didn't Paco say that this series was filmed exclusively for Wu Jing? Just to praise him. So he can obviously get wind and wind or rain and rain.
1 No, it's fine, I still remember all the white clothes. Is this a hit? People who know martial arts themselves, and the actors in the scene also know martial arts. What do you think?
I'm chewing this still has to have a sequel (kill, break, wolf should be a trilogy from the beginning). Wu Jing should still be the protagonist. You can have a snack next time.

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