The staged works are as full of tension as Beethoven’s symphony. The two iconic lens symmetrical compositions reflect each other with incomparable playfulness. Kubrick has brought the music to the extreme, and the splendor of romanticism is used as The soil of the flower of evil, the tyrant dances among the flowers.
A Clockwork Orange is so confusing and makes it easy to compare it with "Guessing the Train" or even "Fight Club", especially "Guessing the Train". I once felt that the multiple angles and smiles of the two protagonists were so similar, and even the arrogant posture of squandering youth was comparable. However, the final outcome of a Clockwork Orange is the evil produced by the birth of free choice.
Kubrick’s interpretation of sex is crazier and weirder than Danny Boyle. A one-on-two scene in Alex’s bedroom is so shocking under the rapid symphonic rhythm. The robbery of the boy Billy gang on the stage is more like a sacrifice in a musical... The director has always directly but not revealed the position of sex in violence and crime, in a group of young people who defected from humanity.
However, this film was not as disgusting and horrible as previously imagined, and did not reach my current limit (weird, what is my limit...) On the contrary, it once made me feel the depression of crying——Alec After Si returned home, he was still a dutiful son after all. He held the package and stood motionless to accept the inadvertent scolding of a pseudo-moral person. He didn't know which movement of Beethoven's pain echoed in the helpless Alex's mind at this time?
Speed and pleasure seem to be able to conceal the common evil. In fact, everyone is doing whatever they want. Alex is not the only one who "completely recovered" in the film.
I will watch it again.
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