Extreme

Reading Prisoners again gave me a different feeling. Recalling that the Prisoner movies I had seen were rare and perfect in terms of lens, of course, this kind of movie with life scores is like Escape from Tehran and Focus in the Oscar Best Picture. They impressed those rare judges with the most beautiful life reality, and what they most yearn for is the respect and desire for the truth and humanity of life shown in the movie itself. I prefer the lighter color matching among prisoners than focusing. Focusing is like a perfect impeccable meal. The reason why the prisoner made me watch is the meaning of the prisoner itself. It will consciously make people feel suffocated and oppressive to the prisoner, and once again count the plot of the prisoner movie The best thing about the performance of the prisoner theme is the brilliant performance of the protagonists. The story of Uncle Wolf and Jack is a big highlight. The director himself is not particularly strong in grasping this point. Compared with the prisoner, the next Jack Split movie is more like a calm story, a very attractive story, the charity father Wolf Uncle’s becoming a demon is very attractive but it seems abrupt, the director seems to be expressing suspense and The portrayal of human nature has faded away because of the conflict between the two. The conflict between Jack and his superiors and his subordinates and his prisoners makes it easy to see the director’s deviation from the prisoner theme. These should be the biggest highlights. It became a flash-by shot. The scene that Uncle Wolf recalled when the child was rescued at the end of the film provided clues. The scene involuntarily produced an abrupt feeling, because the future restrained the prisoner's humanity and weakened the place where life should have been. It is cruel and calm and desperate. The most authentic ending of the prisoner should be that everyone will get a lot and lose a lot. The director should also show the child's reaction to the prisoner, whether it has a huge impact on the innocent child. The film The turning point is the man who raises the snake. The audience does not need to understand the details by themselves. The film does not explain why the snake should be locked in the box. In the last words of the boss, he is such a man who fights against God. Why should I be afraid of that plainclothes Jack (think about this, maybe I don’t know that he is a policeman) and why did he draw a labyrinth of mystery in the last moments of suicide? Maybe there are reasons for these, but I think the film shouldn’t throw away these details. Just to exaggerate how powerful Jack is, and why a man who sounds so courageous to fight against God would not bring his own or the director exaggerated a little bit of hostility, these places have left the place where the prisoners should behave. It should be the result of Uncle Wolf’s becoming a demon that an old lady was forced into the pit. Uncle Wolf imprisoned the fool, the police imprisoned people’s hearts, and the old lady imprisoned humanity. Everyone should have lost something.To get something, the result was an advertisement for Jack's brother to tell everyone that he was great, but instead of saying that the prisoner failed, it is better to say that the prisoner has lost the details of the majestic prisoner theme, whether it is the leading role or the supporting role. They have all contributed their best performances, and everyone has seen that the most correct way for actors to open up unruly is to watch unpretentious works. The prisoner uses the lens and the slow rhythm to greatly compensate for the deviation from the theme. It has fundamentally increased the intensity and breadth of the work, but it also loses the qualifications for being unable to be listed in history because of the deviation of the description of the theme. The facts have also proved that the film work wins the breadth and power of portraying the hearts of the society. This is also the case. It is not difficult to understand that the focus of the movie is to win the Oscars, and it is also a distressed prisoner, but it is undeniable that this is a very conscientious work. The director and his team’s understanding of the film itself and its production attitude reflect the audience and society. The attitude is worthy of our gratitude to them for providing us with rare responsible and responsible high-quality works, and thank them.

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