FIFA10丨DAY10 "Hong Lingyan": Dance! dance? dance! dance?

Blaze 2022-01-26 08:44:58

On the 10th screening day of the main competition unit of the 10th#faroeislandfilmfestival#, we will bring you "Hong Lingyan". The following will bring you the tangled evaluation of the front-line ballerina!

kc512:

Not crazy, not live.

zzy granite:

The Hong Lingyan stage play in the middle is great!

Nofan:

Then they did a dance. In addition, the translated name Hong Lingyan is really bad.

Faroe Islander:

The song and dance design is too wonderful, it is staggering in one go, the art is sincere, and the family price is higher.

We Min Hee:

If it could end with a red shoe without a leading role in the same length as the premiere, it would be even more ghostly.

Fruit trees:

Very well made, even more so considering its age. In the era of studios, it is rare to be able to make such a film through the re-creation of Andersen's original fairy tale, which has a strong intertextuality with the original.

Cornices:

The story is indeed the tragic grief of women, the sacrifice of life in contradictions. However, the 20-minute stage play is too exciting, which coincides with the trend of the plot, and maximizes the surreal performance in the limited technology. It seems to be a choice between love and career, but it is actually the sacrifice of women as sacrifices in the patriarchal society in the big perspective.

Pincent:

Maybe many people think that this is not a "good story" in the popular sense, but the real boldness is here. The aftermath of this paragraph is the focus. How does the shoe/play change the performers, businessmen, and artists, disrupting their relationship, and hitting the patriarchal society with the sacrifice of women, just like the end of Vertigo , to continue this aftermath after the end of the movie, Powell is a true master, and Chazelle is still young.

Midnight no one:

The colors are amazingly beautiful, the arrangement and performance of the song and dance passages are excellent, and the aesthetics, creativity and expressiveness are excellent. But on the contrary, the handling of emotional relationships is confusing. In my opinion, the weight it presents is completely insufficient to match the heaviness of the final destination and the difficulty of the decision. Use it as the pressure point of the final tragedy It's always top-heavy. If those red dancing shoes really have the magic power that makes people never stop, then the narrow selfish desires between men should not bind her at all, but go to a more relentless and gorgeous self-exploration, watching the bee chrysalis break through the cocoon Become a butterfly, witness the rainbow passing through the clouds.

#FIFF10#DAY10's main competition magazine rating will be released later, please wait and see.

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Extended Reading
  • Kadin 2022-03-27 09:01:20

    1 Black Swan can be said to be the postmodern psychological thriller version of Hong Lingyan, the subject matter and character relationship are undoubtedly inspired by the film 2 The climax of the ballet performance in the film uses the superposition technique to express psychological fantasy, which is very surreal 3 Digitally restored The techinicolor color is not bad, although the color reproduction is limited but the saturation is very full, there are obvious color designs in the film 4 Jiang Qing's favorite, such a flashy interior shows that her taste is not proletarian at all

  • Vicky 2022-03-26 09:01:13

    The soundtrack and montage are sharp (especially the red shoes ballet)! Love or die - love ballet more than your husband more than life, and make it the whole of life. A life with this passion may be more meaningful. An elegy for lunatic artists is more or less a filmmaker's own condition. From a modern point of view, Boris and Victoria are soulmates, and Julian really doesn't understand it at all. PS: The actors in those days were quite good in French.

The Red Shoes quotes

  • Julian Craster: Vicky?

    Victoria Page: Julian, I love you!

    Julian Craster: But you love that more.

  • Julian Craster: One day when I'm old, I want some lovely young girl to say to me, "Tell me, where in your long life, Mr. Craster, were you most happy?" And I shall say, 'Well, my dear, I never knew the exact place. It was somewhere on the Mediterranean. I was with Victoria Page." "What?" she will say. "Do you mean the famous dancer?" I will nod. "Yes, my dear, I do. Then she was quite young, comparatively unspoiled. We were, I remember, very much in love."