That's what grew up with me. My point of reference is not Tarkovsky, or Jean Renoir, or whoever. My frame of reference is Steve Spielberg and Spike Lee and Martin Scorsese. They grew up with me, and it was these films that moved me and made me want to be a filmmaker because they fit my real experience.
It cuts in with intense social events, and uses most of the brush and ink to show the ordinary day of the three people, and the structure is defined for the moment at the end. There are many similar movies, but "Rage" has a stronger sense of universality and rhythm. , the most important manifestation is the reminder of the time that constantly emerges. The sense of fate of "Rage" is the result of the accumulation of background details, such as the identities of the characters. The three people have their own special identities, Jews, Arabs, and blacks. This identity is identified in the iconic building of the Eiffel Tower in Paris. slowly disappear into the night. If the narrative technique of "The Elephant" looks more advanced, it has completely eliminated the function of attracting focus. Matthew is actually using Hollywood methods to wrap the deeper core. Judging from his standard of reference, he has indeed been influenced by a lot, Scorsese-style characterization and tribute, Spike's social observation and close-up. The recent popular "Les Miserables" describes the contradiction between the police and the bottom, and interprets it from an objective perspective of the two. "Rage" also shows similar opposing perspectives. Although it is not detailed enough, the point that I actually want to say is not respect.
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