Note

Maia 2022-03-25 09:01:05

[2] Most of the film is under the sun, but the dark night at the end of the film covers everything; the audience is no longer a bystander, but follows the protagonist into a pile of evidence, making inferences, a bit of a hard-line detective style. The film is extremely interactive and discussing.

Madalyn 2022-03-23 09:01:16

8/10. Revisit. Character analysis: The worker who threw the affair photo at the beginning grabbed the blinds and wailed. Jack wore a decent white suit and took a bottle of wine from a pile of wine to comfort him. It shows that Jack pays attention to appearance, is sophisticated, and is more willing to welcome the rich. He listened to it from the barbershop. An erotic joke rushed back to the detective's story, and she didn't notice the subtle movements of the wealthy Evelyn's eyelids behind her, which created a sense of joy. City Hall: Discussions about herders driving sheep to destroy dam construction, using black humor to criticize the crime of monopolizing water sources. Narrative point of view: The use of some rearview mirrors, telescopes and camera lenses when tracking Murray. The image in the mirror itself is a distortion of all the facts in front of him. Jack is so old but his judgment is not absolutely correct. The assistant photographed the key to Murray's quarrel with his father-in-law. The clue was despised by Jack. At the end, the audience followed Jack's point of view, hoping that Evelyn would escape from her father's clutches. The police shot, Evelyn's car stopped and the horn honked, making her heart cold. Audiovisual performance: Yellow-brown as the main color implies a desert-like water-scarce city, and the conspiracy is arranged in the dark, such as Jack's visit to a nursing home, attacking a thug, and Evelyn concealing the secret of incest by going to bed.