Toni ー Takiya

Chaim 2022-03-18 09:01:09

Ichikawa Jun's トニー欝谷# is definitely a godly adaptation. More than 95% of the story content is completely faithful to Haruki Murakami's original work, and the narration and dialogue are basically copied from the original work. (Adapted to match the original does not = movie quality)

Ichikawa's adaptation this time is not like some directors, adding his own understanding and perspective of life or the world into the film. How Murakami told the story in words, Ichikawa told it through the lens. Film adaptations of this type are really rare. The best part is that not only the content of the story, but also the way of narration is consistent with the original work. The camera panning from left to right from beginning to end is like flipping a book, which is truly "reading for you with the lens". And what's in the story? As Murakami said, it is up to the reader to understand.

The story begins with Toni Takiya, where battleships are built with sand, and ends with the cactus that can no longer be irrigated.

This is a story about loneliness, a story about a person.

Toni ー Takiya and his loneliness.

Another: Ryuichi Sakamoto's music is still wonderful, perfectly restoring the rhythm and mood of the original.

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Extended Reading
  • Charley 2022-03-22 09:02:52

    Whether it's the narrative of the characters' history at the beginning, the large push-pull transitions at the back, and the continuation of the voice-over and the characters' lines in the painting, it all shows that this is really a film that tries to fully fit the original novel from the linguistic level. It is from this point of view that Tony Takiya's audio-visual is indeed very special, much stronger than the general novel adaptations. But full of loneliness is still quite LOW haha. The male protagonist said that the female protagonist seems to be born for clothes. Without clothes, people don't have to give birth. Everyone has such a crazy point.

  • Caitlyn 2022-04-19 09:02:59

    It can basically be classified as an image retelling of a novel, and even there are obvious scene transitions that simulate film traverse throughout the whole film. Miyazawa Rie was clear and empty, and Ogata put on a sweater like Murakami himself.

Tony Takitani quotes

  • Narrator: In that place, the boundary between life and death...

    Tony Takitani, Shozaburo Takitani: Was as slim as a single strand of hair.

  • Narrator: He found his home had been destroyed in the firebombing, and his parents and his only brother, lost to the same fate. In other words, he was then... utterly alone in the world.