Internacional

Edwardo 2022-01-27 08:08:03

Interna Schoner, turned into a multinational bank—a multinational organization that happens to be the enemy of the proletarian Comintern...but in this film, both seem to be opposites.

There's something good about this movie, and a scene at the Guggenheim Museum is really impressive. The footage of the wheelchair sliding is a nod to Untouchable, and indirectly a nod to the most famous "Odessa Stairs" montage of Soviet film master Eisenstein. But it’s not overdone here, and it’s aptly embedded in the narrative.

The overall style has the feeling of an old black film, and the cool color is good. The rhythm of the narrative is good.

Clive Owen comes up with a dead partner, reminiscent of a classic narrative from the "Eagle of Malta" era.

German old actor Armin (Fassbender era movie star) acting is really good. I've seen him a few times recently, and he's also featured in Angels and Demons. I really like this old man.

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Extended Reading
  • Merle 2022-03-26 09:01:06

    The Guggenheim shootout obviously inherits John Woo's style of violence, but it's a pity that Lola's quick run can't be turned into a quick gun. The end seems to be over, and the clues of more than two hours are not the Ariadnegin line in the end.

  • Chaz 2022-03-27 09:01:08

    The photography and framing are very beautiful, but the plot is really buggy.

The International quotes

  • Wilhelm Wexler: Sometimes a man can meet his destiny on the road he took to avoid it.

  • Louis Salinger: Hey... Don't you fucking die on me.