Internacional

Edwardo 2022-01-27 08:08:03

Interna Schoner, turned into a multinational bank—a multinational organization that happens to be the enemy of the proletarian Comintern...but in this film, both seem to be opposites.

There's something good about this movie, and a scene at the Guggenheim Museum is really impressive. The footage of the wheelchair sliding is a nod to Untouchable, and indirectly a nod to the most famous "Odessa Stairs" montage of Soviet film master Eisenstein. But it’s not overdone here, and it’s aptly embedded in the narrative.

The overall style has the feeling of an old black film, and the cool color is good. The rhythm of the narrative is good.

Clive Owen comes up with a dead partner, reminiscent of a classic narrative from the "Eagle of Malta" era.

German old actor Armin (Fassbender era movie star) acting is really good. I've seen him a few times recently, and he's also featured in Angels and Demons. I really like this old man.

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Extended Reading
  • Torrey 2022-03-19 09:01:05

    The script is unexpectedly good, and the rhythm is controlled very well. However, the film seems to encourage the use of methods outside the system to solve problems within the system. From this point of view, it is anti-government and is not conducive to the word harmony. I am afraid that the domestic theater chain is out of luck

  • Ara 2022-03-28 09:01:03

    The filming is still quite good. If there is interest, there will be deeds. If there is value in use, there will be rights and platforms. The network of interests covers every corner. performance. . .

The International quotes

  • Cassian Skarssen: When there's no way out, you find a deeper way in.

  • Jonas Skarssen: [to his son regarding a board game] This is a game that rewards patience and balance. You must think like a man of action and act like a man of thought.