The god of death Hela, the eldest daughter of Odin, the first heir to Asgard, fought against the nine realms with his father since childhood, creating Asgard's glory. Unexpectedly, his father turned into a white lotus and accused his daughter of cruelty. On the surface, Asgard can't tolerate an ambitious Hela who wants to rule the universe. In fact, the old man of Odin can't tolerate a daughter who is strong and powerful and knows his dark history. Therefore, this old man who has turned his face and does not recognize people is not only The Valkyrie was sent to capture Hela, and finally imprisoned her, and erased all the information about Hela from history.
Since then, Hella has been forgotten by the people. Odin's life is innocent and white.
Best Daddy Ever:) Hey have you met Stannis? You two should talk.
Saul is an obedient and stupid son, but at any rate the first two movies are characterised, and his experience in those two movies has polished him into a better leader. Maybe Marvel felt that this was enough, and Saul no longer needed to be modeled, so he arranged a festive sideline for him in this movie. This branch tells a story about Thor doing everything possible to go home, but thinking about it has no effect on his character, psychology, and character evolution. The deepest revelation that Saul got, and the inspiration that most motivated him, came from his Lao Tzu.
At the important moment when Sol broke out in this film, he thought of his dad. His father gave him the encouragement of his love and made him come back successfully. This is not a story of Thor's growth. It's just an awakening of the blood of a character who is innately open, and a golden song makes the little boys scream.
Saul ignored his sister's words, and Saul was indifferent to his dad's dark history. If Hela brought a touch of gray to the movie, then it can be seen that the script did not want to explore this gray too much, but quickly turned it into a black and white battle between good and evil. Everyone should be complicated and multi-faceted, but movies are not caring. Hela is a cruel and dehumanizing female anti-humanity (huh?), and Saul is a well-behaved daddy's boy. When everything is reduced to "beating, telling jokes" If the scores of Rotten Tomatoes can be exploded, then what else should these "filmmakers" ask for? Naturally, I am satisfied with the moment and produce more colorful jokes.
Regardless of the huge female fans in your circle, the MCU is essentially a lust and carnival for the little boys. They deal with all the stories of bitter feuds, deep thoughts, and sense of responsibility for teaching people in the way of Secondary Two Boys. They are full of gorgeous colors, dazzling (but average) fights and 3 jokes in a minute. easy. Critical moments are often fooled into the past in a very pale or funny way. Character creation usually relies on the stuffing of people-so these superheroes have become the most unrealistic kind, at least they can't make me feel the same, and every move of them reminds me that they are different from me. Boys now want to become superheroes after watching Marvel movies. It is estimated that the reason is only "cool". The way of shooting makes them unaware of the sense of responsibility and pain that comes with it.
MCU is not taking the standard requirements of movies. Today it only produces very standard products that are pleasing to satisfy more than 70% of the audience. However, the early Marvel movies were all "hand-made". The producers thought they were making movies, so there were convincing characters arc in their works, as well as stories that really touched people's hearts instead of selling scenes and telling jokes. .
When I was watching Sam Remy's "Spider-Man" and "X-men" trilogy, I was also about 10 years old, the age when the heroic dream broke out. What impressed me was not the super cool shots, but the death of Uncle Ben, the hardships of Peter and aunt being dependent on each other by the bank, the grievance of the girlfriend ran away with others, and the good brother turned villain; it was Wolverine Lee. The pain of the claw breaking through the flesh, the bitterness of the little mischievous being unable to be in close contact with the lover, and the moment when Professor X turned into powder under the Phoenix mind. "The greater the ability, the greater the responsibility" is not just a line, because I remember the whole story and my feelings at the time, so I have a (I think it's quite adequate) understanding of it.
It is difficult for MCUs to do this. It doesn't have any moments that strike people's hearts directly and make people feel enlightened. Maybe it has had countless opportunities, but these opportunities have all vanished in the cross talk halfway through the civil war and the huge number of jokes in all the movies.
This trend will continue, because most viewers can no longer stand comic movies without jokes. In the face of a happy and harmonious family, everything is relegated to the second line, including what the movie should express itself.
ps. I said on the radio before that I really hate "Hollywood Feminism" now. In order to show the so-called girl power, they turned the female characters into either "cool girl" or "female anti". These women have different faces and makeup, but in fact they are all the same. On the surface, we have so many playable, beautiful and independent female characters, but they have a wool story? It's just another kind of vase.
pps. I think Hella's fighting is very beautiful, I suggest you go to see the sucker punch. It's all this far, I'm not afraid to hack the guide.
[Also, I didn’t want to persuade anyone, I didn’t want anyone who likes this movie to change their ratings, and I hope some people will not teach me how to be a man in their reply]
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