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love and contempt
Houston 2022-02-24 08:02:09
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Camron 2022-03-24 09:03:35
Language barriers, emotional disorders, the tunnel structure of indoor dramas, the ink-and-wash atmosphere of outdoor dramas, and the seemingly careless movements of the characters, but in fact they take every step. The pinnacle of space imaging. Godard's heart is so delicate that he has to arm himself with extreme simplicity and rudeness.
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Hunter 2022-03-27 09:01:20
Even though Godard is always too 'accent' for me, this one is really well done, with a cameo by Fritz Lang! The only downside is the repeated use of the same overly grand soundtrack... The architects may be fond of the location in the back quarter of the film, Casa Malaparte, a seaside villa in Italy.
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Paul Javal: It looks swell. I really like CinemaScope.
Fritz Lang: It wasn't made for people. It's only good for snakes - and funerals.
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[after viewing film shot by Fritz Lang]
Jerry Prokosch: You've cheated me, Fritz. That's not what is in that script.
Fritz Lang: It is!
[he pulls the script away from Jerry, who is attempting to grab it out of his hand]
Fritz Lang: Oh, no!
Jerry Prokosch: Get the script, Francesca.
[he reads the script and then changes his tone]
Jerry Prokosch: Yes, it's in the script. But it's not what you have on that screen.
Fritz Lang: Naturally, because in the script it is written, and on the screen it's pictures. Motion picture, it's called.