The two heroines with the same name and surname in the play have completely different personalities, but fate has linked them together, and there is a crossover. In the end, you and I can't tell the difference between the two. Seeing this film, one can't help but think of the two Jing Tengshu in "Love Letter". Although there has been a gender change in this play, pure love and dedication to love have not changed in the slightest. I thought Nana was a master who could give up her love for her dream, but once she met Lian, all her plans were covered by emotional filth, and she - happy! I'm moved, I'm not interested in Japanese manga, I'm not interested in the heroines in the play, even they express the childish love of a teenager, I'm past this age, but I'm still moved, just for that love, nothing to do music and clothing.
Although there is a lot of music in it, I don't like it much, especially the music associated with Nana, but I don't dislike it because it fits Nana's character. When it comes to the performances of the two actresses, I like them very much, one is simply the Japanese version of Li Yuchun, and the other is the typical cat-shaped little girls around us. The performance of the two actors in the play does not show any traces, which makes people feel that they are performing in their true colors. If the two characters in their lives do not match the characters in the play, then their performance can be described as acting.
The relationship between Nana and Nana in the play is very subtle. The friendship in the early stage has not been different. When Nana's boyfriend changed his mind, there are several scenes in the play. Nana's subtle eyes can't help but think of it. Liu Ye gave Hu Jun (Lan Yu) and Zhang Dongjian (Wuji) the goosebumps in his eyes. According to Nana's character analysis, it is normal for her to feel more independent and masculine Nana. If this conjecture is correct, then it just reflects the psychological deformity and sadomasochistic tendency of Japanese filmmakers.
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