Dreaming is everything is possible

Haskell 2022-03-24 09:01:10

I feel that the female lead's acting skills are better than that of the male lead. The male lead frowned all the time, not knowing what emotion it was.

The female protagonist plays two roles in one person, high in the early stage, indifferent, and charming and lively in the later stage, there are also entanglement and hesitation, there are also joys and sweets, and there are also self-blaming and confused. She feels that her early style is very beautiful, she has a kind of innocence while being mature and cold, and her temperament is very special.

And the male lead feels much more relaxed, frowning bitterly haha, or frowning fiercely, do you feel that the director wants this kind of constipated face feeling? Or does it mean that fear of heights has successfully evolved into depression? Is this uncured fear of heights depression a foreshadowing?

In the early stage, the female protagonist was confused and ignorant, and led the male protagonist to wander around to cultivate feelings. The male protagonist always looked stunned, and the frowning brows could catch flies. This poor tracking technique is also the world's first, if it weren't for others. Deliberately showing you to play, but you are embarrassed to be stalking? The two finally got better, and the heroine should have disappeared, so the psychological problems caused by the fear of heights came to worse, and he became neurotic.

Finally, I was discharged from the hospital. She followed the heroine smoothly and successfully struck up a conversation. Because of love and guilt, the heroine decided to take the risk of being with the heroine. As a result, the heroine made great progress, relying on his neurotic name and the heroine to eat him to death. The incident began to work in various ways, and I really couldn't stand it. After the heroine bears the burden of humiliation and is willing to be a substitute, do you think true love has come? No!

The male protagonist’s brows and eyes felt that it was finally about to reach the day of stretching, but at this time the female protagonist accidentally produced a moth, making the male protagonist’s IQ suddenly reach the peak of the entire world. It's just that the speed at which he finally understood the truth was a bit too fast. He didn't know anything before. He saw a necklace and he reasoned everything out. Is this because Le Baojie removed the adhesive plaster?

In the end, the male protagonist forced the female protagonist to go up to the tower like a nerve, and then vented his emotions over there. The female protagonist looked scared and hid on the side. By talking, he overcame the fear of heights, and immediately advanced to the level possible. Standing on the edge, forgetting myself and kissing? This evolution speed is much faster than Digimon. . .

In the end, a black figure suddenly appeared in the darkness. I thought it was the villain who appeared to be killed. I was really shocked. It turned out to be a nun who didn't sleep late at night. Then, then, the hostess fell to her death. ? The male protagonist experienced the same incident twice, and finally succeeded in killing his lover whom he had finally recovered.

What does this ending mean? Anyway, I am dumbfounded. . .

The suspenseful atmosphere created by Hitchcock has always been considered a success, and the revealing of the truth in the middle can be regarded as natural and simple. The promotion of the plot can be regarded as natural, and the sudden ending is unexpected but it is reasonable. After all, Various elements of darkness, heights, and emotions are designed, which are always needed.

It’s just that I always feel that this movie is a bit procrastinated in the early stage and a bit rushed in the later stage, or is it because I can’t appreciate the essence of it? There is absolutely no problem with the director’s skill. The plot design is also considered successful. The actors’ acting skills are also online, but why doesn’t it seem very cool?

Alright, the complaint is over.

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Extended Reading
  • Jacklyn 2022-03-25 09:01:05

    So sad! So sad! It has always been her! …Very grandma's modus operandi, I didn't even notice it. The plot has been very tense. That painting is so terrible, art museums can be so terrifying. Evil, sadness. The drama is very expressive, and several pictures are very haunting. Appearance, identity, lust, entangled past, recurrence of old sins... The heroine is very unpleasant when she is blonde, but her acting skills are praised! Hitchcock is amazing!

  • Melba 2021-10-20 19:01:07

    Blu-ray. Feeling emotional is a troublesome thing, you can figure out the undressing scene. Nowadays, the driving scenes with fake background photos are more like creating hypnosis. It’s also interesting that we’re talking about Madeleine, but we finally have to realize that she is a completely vague character who can only rely on imagination. The old classmates told about Madeleine, the Madeleine that Scotty was following and chasing, the "fake Madeleine" and the woman who played Madeleine, this is complicated enough...

Vertigo quotes

  • Madeleine: There is something I must do, there is something I must do.

    Scottie: There is nothing you must do. There is nothing you must do.

  • Scottie: I love you, Madeleine.

    Madeleine: I love you, too. It's too late.

    Scottie: No, no, we're together.

    Madeleine: It's too late. There's something I must do...

    Scottie: [kisses her passionately] No, there is nothing you must do. There is nothing you must do. No one possesses you. You're safe with me.

    Madeleine: [frantically] No, it's too late

    [Madeleine breaks free and runs across the courtyard. Scottie trails behind her, eventually catching up to her. He holds her tightly]

    Madeleine: Look, it's not fair. It's too late. It wasn't supposed to happen this way. It *shouldn't* have happened...

    Scottie: But it had to happen. We're in love. That's all that counts!

    Madeleine: [struggling] Look. Let me go! Please let me go!

    Scottie: Listen to me. Listen to me.

    Madeleine: [calmly] You believe I love you?

    Scottie: Yes.

    Madeleine: And if you lose me, then you'll know I, I loved you. And I wanted to go on loving you.

    Scottie: I won't lose you.

    Madeleine: Let me go into the church - alone.

    Scottie: Why?

    [they kiss for the last time. Scottie releases his grip and Madeleine walks away towards the bell tower]