This French drama is comparable to showtime dramas, with violence, blood and pornography all presented on the screen, but all the glitz is only to bring out the imperial ambitions of a king of that era, Louis XIV.
Philip, as the king's younger brother, was guided to become feminine since he was a child, but the purpose was to prevent brothers from fighting in the same room. He was destined to be gay, but people laughed at him for disgracing the king. The biggest CP in the whole play is this pair of brothers, jealousy, injustice, and licking. If Louis XIV is the sun, then Philip is a planet in the shadow of the sun, not near, not far. He has love for his brother and is willing to share everything with him. Even if his wife is involved by the king, it is only a few words in the quarrel. A tragedy, doomed from the moment he was born.
The reform is difficult to defend, building a Palace of Versailles, and not being the king of Paris, this is the dream of Louis XIV, but the ministers and nobles do not want to stay with him in the countryside, so the big scene begins, at the end of the banquet. At the climax, he generously gifted every noble gem present. At the moment when everyone was delighted, he suddenly attacked and set an example, questioning the identity of the noble noble who led the resistance against him, and the famous saying "I am the country" was born. Joy and tension, royal power and civil rights, the short five-minute drama vividly interprets the invincible aura of a king.
View more about Versailles reviews
