"Golden Giants": Shadow of Huanhuayuan
Huanhuayuan Ying, God-given love in Wuji.
The young Estova is agile and wise, ambitious and full of means, and the vigorous momentum is extraordinary. After the death of his beloved Rosa, he and his sister Clara boarded the palace of marriage. Clara has the psychic qualities of magical realism and can predict everything. They gave birth to their daughter Blanca. Estovan gradually became ruthless and ruthless, nibbling away everything while suppressing the revolutionary uprising movement. In his arrogance, he does everything he can to break up Blanca and his beloved revolutionary Pedro. In addition, Estovan's illegitimate children joined the movement against the revolutionary tide and deliberately tortured Blanca in prison. Clara dies. Under Blanca's instruction, Estova moved Pedro to safety, and deliberately asked the woman who had slept in a romantic relationship to rescue Blanca.
A luxurious epic literary film. Clara can be said to be the quintessence of the film. Her existence and arguments are as calm as a fairy. Since she was a young girl, she has been cherishing spring and is deeply impressed by Estova, and when she is middle-aged, she has no objection to her daughter's love. In his later years, he has a halo. He is a psychic and eloquent character. Metripp interprets the connotation and demeanor of the character's nine-sentence galaxy to the fullest. When Estova opposed Blanca and Pedro's marriage, due to the argument Estova raised his hand and gave Clara a slap in the face, and from then on Clara kept silent about her husband. The old-fashioned performance overshadowed some of the worldliness of the story itself.
The reason why Estovan became cruel and cruel was also because of the psychological shadow that his mother's life had cast on his childhood. And his elder sister, Ferula, died as a virgin by taking care of her sick mother. Estova's rejection of her elder sister should also be due to a kind of explosive self-esteem and willpower. He chased away Ferula and ordered that his sister be denied contact with his wife and daughter. Even though he is rich in the world, he cannot enjoy the warmth of family affection. He even deceived Blanca to kill Pedro himself, which aroused fierce resistance from his daughter. In fact, as a round figure, Estovan has a lonely side in his heart. His temperament is irritable and resolute, while loneliness, melancholy and weeping are the ultimate qualities of the soul.
Blanca bravely pursues her love, perfecting her body and mind at the peak of her temperament. Her love for Pedro transcends external conditions such as family background, but refuses to sink in material desires. Choosing the character who chooses the true self and the soul and heart always has to pay a price. Her brother (born after Estovann and a woman named Nogai) was slapped and abused, and her swearing to the death and her fidelity to love were her values.
Blanca's half-brother tried to sexually assault her both as a child and as an adult, and the raw impulses of incest and infinity are slowly woven in the screenwriter's tapestry, while Clara and Bran Ka is beyond the desires of these men. Their hearts have been perfected, and although the characters in the script are not exceptionally well-rounded, the film's intent is immediately apparent. Any external violent conflict cannot change the inner tactful romance of these female characters, and the accompanying emotional rhythm is a lively feeling of female dignity and vitality.
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