Why live?!

Elenora 2022-03-22 09:02:16

Maybe many people will sympathize with the protagonist little boy Zane after watching this movie, but at the same time, they also feel that his behavior towards his parents is too much. If he sued parents for having children, he seemed arrogant and rude to others. But I understand and only appreciate him, maybe we have too many similarities.

I once helped my parents to get a divorce agreement. The reason is very simple. They have too much pain to get along with, and the children have grown up. But in the end this was over. Although the environment in the film is very different, the nature is the same. We dare to see through the shackles of the world and make the truly correct but helpless choice. There are many films in this genre, but the highlight of "Why Home" is that the protagonist dares to be so free and easy and insist on himself. Fortunately, the protagonist here is the true character, so that the public can no longer avoid looking directly at this problem, so as to avoid the same tragedy from happening too much.

If it is difficult, don't have too many children, it will only make the whole family uncomfortable; if it is raised, please treat it kindly... Just like the seemingly indifferent Zane in the shadow, "Why give birth to me?!"

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Extended Reading
  • Marcella 2022-03-25 09:01:14

    "The Thief's Family" cuts into the vagueness of human nature from a universal social problem, while "Capernaum" uses personal circumstances as a sample to expose the lack of social institutions. Both do the best in their respective frameworks, but the former is more textually ambiguous. There are too many vivid and vivid details in "Capernaum", but when these details are evenly scattered in the film like seeds, they lose that shocking power. Regarding the logical relationship between Zain's "wandering" and "going to prison", compared with the interlocking play structure of "Little Guy", the director's current handling is obviously too perfunctory.

  • Letha 2022-03-24 09:02:43

    A realistic version of "Nobody Knows". The little male protagonist is too mature for his age, and the brilliant lines the director wants to express through the boy's mouth are deliberately made, and the sense of drama is too heavy. The script and the handling of the transfer in some places are still a little green, and the courtroom scene has no tension, and it is also weakening the impact of the boy's complaint against his parents. The little guy is really good.

Capernaum quotes

  • Zain: Fuck this shitty country!

  • Zain: Your words pierce my heart. I no longer want to see you. You're heartless.