wide angle
Low position close to the ground pot
Floating Steadicam
unconventional composition
Fixed position
Voiceover: Letters/Inner Monologue/Subtext
The actor whispers / speaks his heart
Interaction between actors without dialogue / eye contact / gas exchange / inner dialogue / facial expression / speaking with eyes
staggered tone
Not a conversation, but a speech to yourself/thinking/imagining a conversation in the future, for example: "What if I leave?"
Macri's feeling: how did I go, um, I saw that I was walking, I felt the emotion of leaving my hometown, as if I saw the dawn at the head of the village, but I turned away from the village, and then... What will happen to you, I can feel it To your pain, to your disappointment, to feel your feelings...
Common sense: Well, if I go, you're in trouble, eh? How to do?
It can be seen that Malick's latent information is rich, affectionate, profound and true. This emotion moves the audience.
The dislocation of the inner voice and reality is close to the real reality
Opposite voice is fake, should, designed reality
Shots/shots that feel the atmosphere serve the "emotion of the story"
symbolic picture
When the camera exits and pushes, think about what it will be like to withdraw
Cut across the line
Jumping side by side, A said to A, B said to A, and said that you are not afraid of jumping.
Breathing lens photographers also need to use the emotional dance of the story
Mixed Cut Mixed Cut Mixed Cut
The next one at a in the multi-room is at b in the room
Flying instead of staying in a story
new wave jump cut
lines ~ poems in general
Please break the fourth wall sometimes
What is the meaning of switching between English and German?
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