Beautifully dull, restrained to numbness, the movie is a good movie

Mae 2022-03-21 09:03:16

Su Tong's original work is a gloomy Southern Gothic novel, and the movie version of the scene comes to the north, which is less humid and blurred, and more "dry" belonging to Shanxi - although, this is exactly "criticism of the old society", reflecting required by the state of man in the old society.

But the "play" performance was also a little dry. Even following the context of the original work, it shaped the fateful tragedy of how Song Lian, who received a new education, was alienated and reduced to madness in the house that epitomized the feudal society.

Just like some orientalist show-off scene designs (the third wife's exaggerated mask house), it is a bit blunt, and the slow narrative with such a still water and deep flow still does not enter the hearts of the characters.

Rather than saying that the national teacher is restrained, it is better to say that he has not been able to penetrate into the heart of people, so he relies on art design and architectural space to assist the spiritual portrayal of the characters, and is obsessed with eye-catching colors.

Overall, it deserves the title of a classic. Not to mention that the form is greater than the content, the visual form is brilliant, and the content is based on Su Tong's masterpiece.

Its form is fundamentally visual. As far as the language of the film is concerned, it still exists purely for the sake of narration, and it lacks some of the agility of pure imagery. Beauty is beautiful.

Photography and art, as well as the performances of the four concubines, are all first-class. Especially He Saifei. I remembered her after watching "Blood Setting Sun". That kind of woman's dignity and sullenness, she has always grasped it in place.

Gong Li is good, but she is a bit "King Kong Barbie", she is strong and arrogant when she comes out, and it is difficult to empathize with her innocence and weakness.

Compare it to the original. Su Tong is basically a female incarnation, and experiencing this story is highly emotional and emotional (so much so that he once thought he was GAY). The national teacher is still staring.

In the original book, the setting that the eldest young master can't like women and has a male partner has been erased, which is a pity.

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Extended Reading
  • Archibald 2022-03-23 09:03:16

    Zhang Yimou's best work, an excellent work that still has a classical temperament, summer, autumn, winter, and summer alone lacking in spring, a good year of auspicious snow. The feudal society is broken through the ritualistic behavior of lighting and extinguishing the lights. The bright red color on the screen is an exaggerated metaphor of the times, just as the door is always open to welcome, the silk curtain glimpses the hazy temptation, and the echo listens carefully to the hoarse cry. Symmetrical composition with a smooth transition from left to right, and the final cut mirror is simply heart-wrenching and shuddering!

  • Tiffany 2022-03-24 09:03:36

    5+ is too powerful... Who would have thought that a person who is so good at using up, so good at composition, and so understanding of the logic of power will eventually be captured and alienated by power... The stylization of rituals is actually not new, but the routine of rituals is One effort, Zhang Yimou did it, if he can continue in this way, he may become China's Ozu! The face of male power is completely absent in the whole film. On the one hand, it shows that the camera is aimed at the fate of women, and on the other hand, it is extended to obtain a more general face. In this film, the typical narrative style of Chinese films can still be seen: it is not reversal, but revealing. The characters have not changed, but the way of intervening in the environment has changed. The use of sound is beautiful and skillful, and the blending at the end is terrifying. Top ten national films!

Raise the Red Lantern quotes

  • The Third Concubine: She has the face of Buddha and the heart of a scorpion.

  • The Third Concubine: Good or bad, it's all playacting. If you act well, you can fool other people; if you do it badly, you can only fool yourself, and when you can't even fool yourself, you just can fool the ghosts.