I wanted to write a short review, but I can't. . .
Speaking of which, netizens really have filters for tan American dramas and foreign language dramas, I don't think it's worth 9 points.
To put it simply, the main actors are wonderful, the soundtrack is wonderful, the production is remarkable, the idea is not novel but it is also very interesting. But the shortcomings are also more obvious: the world view is not very complete (the focus is on the two leading actors, in the end I don't know what the so-called great plan is, even if there is a little cause and effect), the reference to the myth is slightly meaningless (for the time being, I understand it The main line is the relationship between the protagonists, so the materials that are strung together seem to be relatively broken), the play of the supporting roles varies from person to person (personally, I think that the children are a group of 4, and the 3 friends are more obvious than Adam's personality, and little Adam is too woody. ), in addition, either the script has omissions or unnecessary things are cut, and in some places the plot is jumpy and the logic is not connected. All in all, it feels complicated. It seems that some of Shenxia's team participated in the creation. I hope the creators can focus on the drama itself instead of just wiping the sparks between the leading actors.
I didn't mean to say that the main character was bad. The spark between the two is the intention of the author and screenwriter. It is not a departure from the spirit of the original work. It is also very rare for them to clearly position the relationship between the protagonists as love. But on the other hand, according to the original author, angels and demons are actually genderless creatures, but if the protagonists of the play are replaced by a man and a woman, there is no doubt that it is impossible to get such attention.
If it is a 10-point scale, I can give it about 7.8. The two teachers worked hard, and the high-level performance without physical objects made up a lot.
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