As the leader of the new wave, Godard advocates capturing the reality of life, and believes that film is life, a part of life, not the artistic processing of life.
Thus, we see a real life, a real story, which has no logic or dramatic conflict, and twists and turns with the emotional entanglement.
We saw Arthur and Odile, Franz's eyebrows. When I saw the embarrassment of the topic, I was silent for a minute. Saw the playful threesome dance in the tavern. I saw the record of crossing the Louvre with 9 minutes and 43 seconds in order to pass the time. I saw the conversation between Arthur and Odile on the subway, as if telling you how to look at life. Seeing Franz's story, Odile looked at his face with heartbeat.
This is an era of free will, omnipresent love, unbridled youth, even a lonely individual, wandering around like the footless bird that Arthur saw when he died, there are times when people are seen.
In the end, Franz held the ball, the liquid flowed to the other side, and his love with Odile got the most beautiful bloom.
"I don't know whether to go south or north" Franz asked.
"Go south," replied Odile
To the south is South America, Odile's love fantasy, which is answered.
A true love, a true life.
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