tail

Shania 2022-03-23 09:02:48

...I didn't understand it at that time. Later, when I was in college, when I started to work as a screenwriter for movies, the two movies that impressed me the most at that time, the first movie was "Eclipse", which gave me a great inspiration It's just that it has a point of view, it basically says that the movie is not necessarily about the inside of the play. Generally speaking, we just look at two actors, the protagonist, what is their story, but it makes a point that this movie is actually what you want to watch, in fact, the background can also be what he cares most about. Because it seems that the movie "Eclipse" is about two people, everyone will be attracted to watch it at that time, because the man is Alain Delon, so beautiful and handsome, and there is Monica, the story is basically a man at the end One girl, that is, they broke up from the beginning to the end, but the last two minutes of the whole movie are empty shots, which is where they pass by, but at that time, it was very bold, and we all went to understand why it was not about the two of them at the end, They didn't cry or hug each other, so how could they go to take a space? Its explanation is that you actually need to see it, because in Europe or the entire building, these streets and these corridors were all used by people, so they have a history of almost a hundred years in this kind of place. If you Turning this place into a person, they basically build the story a lot... Its sadness is not in these two people , because these two people are each of them with such a possibility, maybe they will change again tomorrow, so As a witness, a person watching, the protagonist is this street corner or street lamp, and it will watch this kind of thing for so many years, it comes and goes like this . So you'll feel right away, it's a big inspiration for taking your whole view of the movie. - Wong Kar Wai

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Extended Reading
  • Casey 2022-04-24 07:01:18

    Emotionally, due to the relatively weak narrative sense of "Eclipse", people are not impressed with most of the elements of the story, but the feeling of emptiness, loneliness, and dissociation created by the film and characters is more intense. Victoria does not have a target that she must pursue. If she has to say that there is a centrifugal force, it is also out of the frame. Love gradually leaves the center and goes outside the picture, slowly becoming the echo of "absence". So what makes people more impressive is the content that has nothing to do with the seemingly central "love", the stock exchange, the narcissism and lack of sympathy of the male protagonist, the modernist style residential buildings and the dazzling street lights of the Victorian dog hunting at night, Waiting for all this to replace the protagonists and two to the front, it seems that it is no longer important to criticize the "people" in this "modern world". Anton has an excellent sense of architectural space, allowing the spatial structure to surround the characters, deconstructing the characters, and even generating self-awareness, just like a "Mondrian" type of analysis written on the Internet. The phrase "I'll kiss you when I walk to the corner" is very romantic. With the desire of the two, they walk into the emptiness that is indescribable and can only be conveyed through An's pictures.

  • Xzavier 2022-04-22 07:01:45

    The scene where the hero and heroine meet for the first time is a slightly comical silence at the stock exchange, with a huge stone pillar between the two, heralding the silence and estrangement in their relationship; the long empty shot at the end confirms this, Emotions are eclipsed like a solar eclipse, and people are swallowed up by the material world. Every time I watch Antonioni's films, I'm so bored that I urinate frequently, and at the same time, I can't take my eyes off the top beauties on the screen. The next time I watch Xiaojie, it may not be so boring.

L'Eclisse quotes

  • Vittoria: As long as we were in love, we understood each other. There was nothing to understand.

  • Piero: You mind telling me what's wrong?

    Vittoria: Nothing! Let's walk a bit.