Restraint and selectivity

Daija 2022-04-23 07:03:55

Whether it is Soviet Russia or the Khmer Rouge, all radical revolutionaries unify their minds by means of murder. Because they know that their own set of things is against human nature and the laws of nature, and there is no way to make people fear their authority without killing people. So these beasts don't think of kindness or credit.

Doris 2022-03-24 09:03:20

8/10. Tanks ravage the wheat fields, gas-proof drills on holiday lawns and pierced glass, gas masks while playing the piano, and pictures of handshakes with Stalin repeatedly rendered on the walls, these intruders drag the peace to destruction; the mise-en-scene creates a sense of the stage, and the opening is dark The complex mirror movements of the soldiers and cleaners in the lower corner of the Kremlin (pull out the roll and fix it) explain the style of the times, and the crippled Midia and the chaotic young pioneers choreograph and map the hypocritical personality, and Kotov calls Marusa to go downstairs. The subsequent sex scene is made of warm yellow highlights and soft focus, and the foreground is blocked by a railing. The whole scene warmly shows the gloom of the secret police. When Kotov's whimper was heard from the black car, the frontal shot of the agent who was not beaten by the spy gave him respect for his personality. The classic long shot moves to the mirror above the corpse of the truck after the spy shot the driver asking for directions, the Stalin balloon with his face twisted in the wind slowly lifts into the air, the silent horror, the midia who cuts his wrist in the bathtub Tears from the corners of the eyes wash away the conscience with blood; the ball lightning that burns down the forest is the cruelty of the Great Cleansing, and the lost driver and the daughter humming across the wheat field allude to innocent people who don't know the truth.