Slip naked into the snow

Letitia 2022-03-25 09:01:14

Kaufman's new book "I Want to End It All" finally focuses on the word "want". It reminds you that the completed state of "ending" has never left the artistic kingdom constructed by the hero and heroine's imagination, and then came to the real world. The reason why the heroine has been forbearing and shrinking is obviously because of her own psychology of worrying about gains and losses in love and lack of assertiveness in the value judgment of this relationship. The same is true for the male protagonist. After being judged by his parents' value scale, he also realizes that he has never escaped from his parents' control. When the artist makes artistic concessions, the ego becomes indecisive, and there is a high risk of walking into unpredictable horror circles. In fact, this absurd atmosphere has been spreading and spreading. The film has been emphasizing the tension in the relationship between the sexes and the inescapability of the present time and space. If Nolan's Creed renounces temporality because of the functionality of art, then Kaufman uses the futility of art to finally recall the ephemeral but eternal dance of the relationship between the sexes. Assuming this is Kaufman's last work, his predictions of the future are cold, dark and known.

Cristina 2022-03-27 09:01:13

"But it's not a 2 hour 35 minute movie that's too dizzying to just moan. Those details are meant to establish the morbid nature of each character around the protagonist, thus showing its isolation, but those moments of detail are very Powerless, hypocritical. I don't know if the characters don't know what they're doing or the director doesn't know what he's doing?" Charlie Kaufman taunted Cassavetes at your level...