A little better than "Squid Game", fortunately, the "beach" setting of the last four episodes. In China, this is a pure-blooded infinite flow, and I have even seen a scene in a play that is very similar to this one in the online article (without verifying the time sequence, it should be relatively close). The rhythm of the first two episodes was relatively good, and the audience was a little tired after three episodes. The Japanese really love to shoot Memories, each and every character is stuffed before the main part of the role, no matter whether it is a movie or a TV series, it is shot like this. After watching two battle royale dramas produced by Netflix, I feel that Netflix is indeed an Internet company. The quality of the works they create is indeed relatively guaranteed, but it feels that a large part of the content is calculated through calculations. Through the analysis of massive market data, the framework is built through calculation, and the matching main creators are screened to complete this task, and finally carry out accurate delivery. China is special. As we all know, Netflix can’t cover us, but we have other big factories, so it’s still the same thing. This has changed the traditional art creation process. Art has begun to be digitized, expression is not so important, and audience payment is the only indicator. This ratio is constantly increasing, so high that some creators miss the era of coal boss investors, and so high that everyone wonders whether AI can replace artistic creation. This kind of work is a bit like additive food, the taste is that taste, the appetite is satisfied, but the process of touching the taste buds contains the delusion of your own wishes.
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