after the embankment view

Pascale 2022-11-10 18:47:37

This is an experimental short film of the French New Wave. The director uses many black and white photos and dubbing to tell a story that travels through time and space in an overhead background. The hero's mission is to go to the future to find a way to save the country today, but he falls in love with a woman from the past when the experimenter adjusts the time precision...

When the male protagonist began to travel, the heartbeat of the background music touched the mood of each of us. As the protagonist's heartbeat became faster and stronger, our heartbeat and breathing began to speed up. In that passage, the appeal of the sound is greater than that of the image. This rapid heartbeat also seems to make up for the incoherence of the picture. We traveled with this man, looking around the world in a flash, but only one woman can let him temporarily let go of his identity as a time traveler and enjoy the present moment - that is love, which strengthens everyone's emotions , fascinates the world. From the subjective perspective of the male protagonist, we can constantly glimpse the beautiful face of this woman.

In the film, the director keeps playing back several frames (photos). The dilapidated and dark underground corridor, its repeated playback, not only explained the decadent environment of this fictional world, but also gave the audience a space for imagination. We can imagine the dark and gray life of the male protagonist in the underground prison. When the male master fell in love with the woman in the past, he was forced to return to the real underground prison again and again, and woke up to face that look-up, oppressive face (prison guard). Every time this image appears, it reminds us that he is back to reality. The above two pictures, while being played repeatedly, strengthen the tension of the picture itself and arouse deeper emotional resonance from the audience.

The description of the future world in the short film is very abstract. In fact, the logic of the whole story is not particularly strict. But as a short film of about half an hour, its story structure is already complete. I think that experimental short films may not pay off much in the short term, but this pioneering spirit is also constantly inspiring us to continue to advance the progress of the film that is developing.

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Extended Reading
  • Robin 2022-06-12 21:23:02

    He mentioned the museum three times. The voice-over refers to the memory of the protagonist as a museum; the palais de chaillot, the experimental site of time travel in the film, was once used as a space for a film archive; the place where the protagonist meets the mysterious woman in his memory is a natural museum. Human memory, film image data, and dead specimens of the natural world, in the "museum", become embalmed existences and the products of artificial consciousness at the same time. When encountering the human past in a museum, how much I wish that the things in my memory would also be immortalized in the medicine of formalin. It suffers from limitations while being incomparably romantic. If, if you can die in the memory of the past, where is the need to "escape the future of catastrophe"?

  • Ismael 2022-06-12 12:59:33

    Unlike "Wild Strawberry" who dreamed of his own death, this time he saw himself die. The slideshow transitions, frame by frame of static images, have a wonderful feeling of "the picture is not moving, the consciousness is moving", the addition of the love element is a bit embarrassing, and because of this, the director gave the woman a continuous action, Let's take a look at the gif. In fact, black and white static pictures, if used properly, have a subtle beauty that is hesitant to say anything.

La Jetée quotes

  • Narrator: [English version] Above ground, in Paris, as in most of the world, everything was rotten with radioactivity. The victors stood guard over a kingdom of rats.

  • Narrator: [English version] At first, nothing else but stripping out of the present. They start again. The man doesn't die, nor does he get mad. He suffers. They continue.