and met her all of a sudden. . .
The foreshadowing and rendering at the beginning are indeed a bit French-style rambling and cheating, but she bought the right one, because she succeeded in gradually escalating my worries, holding my breath and even reluctant to remind myself of the guess: it won't be Go to lille?
Well Well! no no no no babe no no no no duncry~
the fear of French southerners in northern Lille, from the various expressions of that who and that and his wife, from the down jacket wrapped early in the bright southern sun, and The dawdling driving from all the way to the north, toughly, infected me, who had no doubts after watching the movie.
From eating, to living, to speaking French in Nagada, the hero was startled and jumped again and again, and my fragile nerves were also thundered. I
slowly lifted my heart and looked back, only to realize everything before this. It's all called contrasting and laying out, and then I realized that French films have tried and tested the first and then the second.
I laughed later, because this film became a tourism promotion for lille, and it allowed me to add a few more lines to the list of photo spots: the "little shed" on the square, the old lille's clock tower, and more. There are drunk postmen riding their cars. . .
Oh lille since you are bienvenue moi, I will go to heureuse, wait for me
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