A draft of Duke you Sucker

Kasey 2022-03-23 09:03:15

1. The soundtrack of this film is very delicate. It is especially worth mentioning that the male voice of "swish, swish, swish" in the music is very special. Every time it appears, a boy sitting in the row behind me is studying.
2. Revolution - People who have read books tell people who haven't read books, "We want to change", so the poor need to change, and those who have read books sit aside to talk and eat. What happens to the poor? It's all going to hell!
3. Juan is super cute, especially when he says "OK, OK", James Coburn is very aura.
4. The scene of Juan being humiliated by a rich man in the car is a classic. The close-up of his mouth and eyes, and the quick transition of the camera lens amazes me. What impressed me deeply was the drop of red juice next to the woman's mouth after eating the cherries, which made her even more vulgar.
5. In the silence, the crowing of chickens is very distinct.
6. Stream of consciousness in the heart, push it over. Bank.
7, close the door, transition.
8. "Any last words?" Nodding and spitting at the poster.
9. Posters appear many times. must be emphasized. Gouging out the poster's eyes and replacing them with his own symbolizes that Juan finally killed the guy.
10. Throw the book into the muddy water, the next shot is the car running over the book.
11. John looked through the binoculars and followed Juan's action.
12. The smoke floods the train and turns around. Shots of multiple trains approaching in a row meet.

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Extended Reading
  • Vita 2022-03-25 09:01:21

    Leone's most beautiful movie. Although excessive machismo is as uncomfortable as ever. Diverse issues and value orientations are anchored by the stylized core and provide sufficient narrative driving force. The whole film is immersed in a free and unrestrained state of progress, which is not only far better than the "anti-type" "Once Upon a Time in the West". ", and the richness of scenes and action-intensity provided by the genre make Leone's interesting scene scheduling have enough material and room to play, so as not to force the lens to become like "Once Upon a Time in America" ​​due to the lack of plot intensity. Forms of isolation outside of narrative. There are many differences in the methods and levels of the "Trilogy of the Past". The biggest commonality is the magic use of flashbacks. It is well aware of and makes use of Morricone's soundtrack to stretch time and activate the "nostalgia" of images. The same is true for the works of Tonadore.

  • Elenora 2022-03-19 09:01:09

    8.3/10 Rewatch "Revolutionary Past". At the beginning, I borrowed old Mao's famous words to talk about the revolution, and satirized it in a comedy tone. Since Hu An broke the revolution with a mantra, it has become heavier and heavier. The slow-motion soft light flashes back to show infinite romantic feelings. The ethereal soundtrack echoed in my mind for a long time, Xiao Xiao, Xiao Xiao, Xiao Xiao, Xiao Xiao, Xiao Xiao.

Duck, You Sucker! quotes

  • Juan Miranda: What kinda work you do for the German? Listen, I asked you a question. What do you do for the German?

    John H. Mallory: I've been looking for silver.

    Juan Miranda: Silver? You know something? I don't understand you. I don't understand how you waste your time and your holy water looking for silver. To me, that's a sin.

    John H. Mallory: Do you have any better ideas?

    Juan Miranda: Si, I think gold is better than silver.

    John H. Mallory: Ah, there isn't any gold in these hills.

    Juan Miranda: Oh ho, yes there is! In Mesa Verde.

    John H. Mallory: Mesa Verde? It's a city.

    Juan Miranda: Of course it's a city! Who ever heard of having a bank in the country, huh?

    John H. Mallory: Uh huh. A bank?

    Juan Miranda: Not "a bank." *The bank!* The most beautiful, wonderful, fantastic, gorgeous, magnificent bank in the whole world! When you stand before the bank and you see it has the gates of gold, like it was the gates of heaven. And when you go inside, everything, *everything* is gold! Gold spittoons, gold handles, and money, money, money is everywhere. And you know, I know 'cause I saw this when I was eight years old. I went there with my father. He tried to rob the bank, but they caught him. But they will never catch me, eh, Papa?

    Papa Miranda: Right.

    Juan Miranda: Listen, Firecracker. Now you listen to me... listen, why don't you come with me, eh? And we will work together... and we will become rich.

    [chuckles]

    Juan Miranda: What the hell is your name?

    John H. Mallory: [wearily] Seán...

    Juan Miranda: What?

    John H. Mallory: John.

    Juan Miranda: What is your name?

    John H. Mallory: John.

    Juan Miranda: [laughs] That's fantastic, that is incredible, eh! My name is Juan and yours is John! It's Juan and John, eh? Heh, heh!

    John H. Mallory: So what?

    Juan Miranda: What do you mean, "So what?" Can't you understand that is... that is... the... oh... ah... destiny.

    [John remembers his girlfriend and friend]

  • Juan Miranda: Hey, what kind of trouble you in?

    John H. Mallory: Oh, we had a wee fart of a revolution in Ireland.

    Juan Miranda: A revolution? Seems to me the revolutions are all over the world. You know, they're like the *crabs*! We had a revolution here. When it started, all the brave people went in it, and what it did to them was terrible. Pancho Villa, the best bandit chief in the world, you know that? This man had two balls like the bull. He went in the revolution as a great bandit. When he came out, he came out as what? Nothing. A general, huh? That, to me, is the bullshit!