Somber tone, but extremely dramatic

Eileen 2022-03-23 09:02:48

It was the first time I saw Antonioni's film (probably only understood 50-60%).
Known as the greatest Italian director, Antonioni has experienced the era of Italian neorealism with Fellini, Pasolini and Visconti, and is almost the only master who survived this climax and continued to explore his own style.
"Night" is the second of the director's "Love" trilogy, about a marriage with a tragic fate. The film's calm storytelling method can not only feel the realism of realism; the profound discussion of the feelings between people also reflects a strong personal style.

"Cold" is probably the best word to describe this movie.
The shots are steady and cold, the rhythm is still and cold, and the characters are blunt and cold. However, the greatness of the master lies in the fact that under the stern coat, there is an extremely strong dramatic tension, which makes people not feel dull and sluggish, but is deeply immersed in it, eager to know how the film will develop next. The inadvertent passing of the camera, a prompting line of dialogue, and a sudden movement of a character all play such a role.

I don't quite understand this film, mainly because of its theme - the change of human emotions - I can't quite see the director's intentions, the various film expression techniques and the relationship between the two.

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Extended Reading
  • Opal 2022-03-18 09:01:05

    I especially like the ending part. The old love words can only be repeated, not repeated.

  • Krystal 2022-03-14 14:12:26

    Years later, I only remember the sudden night rain. People dancing on the square plunged into the summer swimming pool like dumplings. On a shiny and dark rainy night, he walked through the crowd in the blackout hall to look for her fragrant back; she was in his car. They had a pleasant conversation through the dark street lamp. The heavy rain, completely dense curtains, separated their drifting eyes. On this rainy night, he didn't think about her whereabouts, and she didn't care about his departure.

La Notte quotes

  • Lidia: There was no jealousy in the things I said. Not the slightest bit. That's the whole trouble.

  • Valentina Gherardini: You've exhausted me, the pair of you.