Who is the protagonist?

Clinton 2022-03-23 09:03:15

Although all the introductions are written, Hong Lingyan is writing about the heroine who is caught in a conflict between love and career, just like the little girl wearing red shoes in Andersen's fairy tale, the dancer is tired, but the red shoes are not tired, just like The devil can only keep jumping down.
But after watching it several times, I always feel that the protagonist of the film should be Rymontov, the head of the ballet company. From the perspective of the whole story, it is more like telling a whole and prosperous ballet company, under the leadership of the head of the ballet company. The story of the next level, of course, includes the process of discerning the hero, including the process of everyone gathering firewood, the part where the troupe members fall in love, and the paranoid concept of the group leader (lust has The irreconcilable contradictions with the members caused by damage to art)... Of course, in the end, I also encountered a tragic setback, which is the heroine's suicide.

Note that this is not just a question of interpretation from another perspective, but the perspective of the film to the audience is like this. The last conflict between the head of the group and the heroine's husband, in my opinion, was lacking in tension due to the lack of foreshadowing, I don't see how his husband has any power over her like this, because there wasn't enough space to tell our husband's right to her. The importance of her, this relationship, the film only provides some concepts, so here, there are only empty concepts quarreling, unable to provide rationale for the husband's behavior. As a result, Rymontov's perspective was grabbed and became the theme of the film - although everyone felt that since it was Hong Lingyan, of course it should be the story of the heroine. The film becomes a story of a ballet company experiencing setbacks.

But how did the heroine lose her status as the protagonist of the film?
Note that in the whole film, the heroine only dances, and any right to speak is basically stripped (as Rymontov said, what you have to do is dance, and I do all the talking) , When there is a conflict, she is basically in a passive state, basically acting according to Rymontov's eyes. Frowning, the whole film is just to illustrate how Rymontov made each troupe member dedicate himself to the arts with confidence. Rymontov is their spiritual leader and the most typical part of them. The heroine is only Just a shadow.

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Extended Reading
  • Kianna 2022-03-26 09:01:13

    [Exhibition at China Film Archive] The opening film of the restored film festival, the 4K restored version has excellent visual effects on the big screen, and perfectly restores the stunning colors of the special art three-color photography technology in the 1940s. Career and love are difficult to balance, and the two heroes force Gu to be narcissistic. The newspaper accompanies the dancers to tears, and fairy tales come into reality. The plot setting that echoes before and after makes the fate of the heroine already doomed. The 16-minute ballet is based on moving music, choreography, exquisite art sets and lighting projections. It uses photography, actor scheduling, and editing transitions to break the style of realistic dance performances, and uses movie magic to create gorgeous dreams, The unique effect of intertwined horror and horror is intoxicating. I am a professional dancer with a charming temperament and excellent dancing skills

  • Sabrina 2022-01-26 08:44:58

    E&M is very good at writing characters and dialogues. The boys are very lovable, and the plays are not conventional. They refuse psychoanalysis and refuse to take the right seat. I really like the attitude of the stage effect. Unforgettable. She is no longer the seductress in fairy tales, she is a real person.

The Red Shoes quotes

  • Julian Craster: Vicky?

    Victoria Page: Julian, I love you!

    Julian Craster: But you love that more.

  • Julian Craster: One day when I'm old, I want some lovely young girl to say to me, "Tell me, where in your long life, Mr. Craster, were you most happy?" And I shall say, 'Well, my dear, I never knew the exact place. It was somewhere on the Mediterranean. I was with Victoria Page." "What?" she will say. "Do you mean the famous dancer?" I will nod. "Yes, my dear, I do. Then she was quite young, comparatively unspoiled. We were, I remember, very much in love."