Well, I admit that this approach is poetic at times, and it makes sense in a lot of scenes that would otherwise have no plot.
But when it comes to storytelling, it's also uncomfortable to cut, which is beyond justification.
The most obvious is that the small farmer ties the heroine after burning the manor, and even the clips that were supposed to match the action can't be matched. Even I can see what happened to the cheat in the photography (noun explanation: the same time when the film was filmed. The panorama and close-up of the event is often not the same as the position of the actors in the medium shot, the positions and movements of the cheat actors are for better angles and lighting, etc.)
That part of the action is fast and the whole scene jumps because of the shaky editing Come and jump.
Moreover, the excessively fragmented cutting method makes the audience unable to enter the play, and jumps out immediately after entering a scene, resulting in the narrative becoming out of rhythm, so many people feel "boring".
Also, will you die without so much dissove? Will it die?
In the end, the music brings in too many emotions, is it deliberately making up for the emotional inability of the story?
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