One of my understanding of destiny is "restraint", restraint makes people weak and strong, restraint makes people tired and makes people feel at ease. Constraints can be as large as Reaper's world order, or as small as KID's stubbornness about his neurotic aesthetics - if the word has anything in common in KID's understanding with its original meaning (he's a delight, When his three white lines were finally symmetrical, I was actually very pleased). Constraints are also distinctions, distinguishing some people from others, a distinction that is self-identified and visible to others.
The following is free time [spoilers]:
Why does KID have such weapons - guns, portable cannons, and ground cannons, the volume must be doubled every time he upgrades, if he still has room for upgrades, I'm worried about his arm.
Regarding the resurrection of KID, I actually thought this at first: the god of death will only truly wake up after he has died once, so I was intoxicated with this idea, and then I saw it all, and no one mentioned it again.
Although, I also said that this film is quite unconventional, but the plot design is still almost stylized. For example, I don't understand why MIFUNE must lose to black star (not to mention that the reason for black star's victory is not very convincing. Force); why can't the god of death kill the ghosts and gods, and he has to leave the opportunity to a bunch of little devils, and why does he have to leave it to MAGA.
I am incapable of feeling good about MAGA. The two most unattractive shots of her are that the enemy (KURONA and the ghosts and gods) are attacking. She bows her head and waits to die. What does seeing this shot mean what will happen next?
MAGA is also very good at defeating ghosts and gods. In a word, it is like a screw magically fell into an industrial age machine composed of countless precision meshing gears.
Ghosts and gods are surprisingly clever, and some of their lines are good (like some dialogues with the god of death, and his last words, giving me a feeling of slugs walking on my arms), of course, some are also bullshit, at the end his symbol is human The desire for control, the desire to control fear and all uncertainties, this, very nostalgic feeling.
If black star is mortal, he won't be able to survive his uncle for a few lives - this is the first time I have heard someone call themselves "I 姘" and have a lot of knowledge - the gameplay. If you consider him as a symbol, uh, uh, anyway, I don't think it's very realistic to convert this symbol into reality. His good show is to beat himself up, it's not impossible, it's personal preference.
Why is there such a thing as the death martial arts group of eight people at the end, I'd better take this one. Excalibur, the king of soy sauce, I think it's the same for him, no matter how many scenes; I appreciate his calmness in the duel of the gods, but he still behaves like him when the god of death is defeated and beyond. He was as calm as he was watching the live broadcast, and I felt that he added another reason for his lack of pumping to his little man.
The relationship between EIBON and the god of death is too dislocated. I can empathize with KID's mood. A kind of anticipation of suspense and conspiracy was deceived by the cunning author. I thought there was at least a paragraph about turning enemies into each other, sympathizing with each other, or bullying teachers and destroying ancestors, well, I think too much. In fact, since BURYU is so good, why didn't the god of death just use this thing to kill the ghosts and gods in seconds.
MEDUSA actually has the temperament of a big boss. She is so evil and cunning. Isn't she the one who died young? Not to mention ARAKUNE, is this woman born to reflect the insidiousness of MEDUSA? It's a waste of her to have such a smile on her face. There is another strange thing, ARAKUNE also has a soul when she dies. How could her sister be "destroyed" by a scythe by MAGA, I wondered, if soul ate her soul, how much power would this increase (ARAKUNE's whole film is always Without showing the attack power that matches her identity, ARAKUNE can even make ghosts and gods evolve, MEDUSA's attack power is obvious to all, this...)
After ghosts die, are ghosts and gods soul fragments, or the souls that he devoured before are liberated ?
The giant deer that black star met twice was so cool, it felt like the weird beast in Princess Mononoke. How does the surname "Zhongwu" look like an old aristocrat in Kyoto?
MEDUSA released that undead, I originally thought it would have some purpose, especially I always thought that for example, she would join forces with the undead to kill some MABABA, that is, the queen of the witch world and then become a king or something. After a long time, the undead man couldn't even help MEDUSA when he was killed.
Another question, didn't the female teacher (can't remember the name) who blew up the toilet with a roar ate MEDUSA's snake, then according to her threat to the frog witch, couldn't she also be attacked by MEDUSA from the inside? Why didn't she use it in a duel?
Finally, there are a lot of inner monologues or dialogues in the film. This thing can only remind me of EVA. Fortunately, this film does not seem to mean to make things difficult for people, although it is difficult to use this thing in the animation itself. It is a kind of Make things difficult.
View more about Soul Eater reviews
