Freida 2022-03-23 09:02:48
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Angelita 2022-04-23 07:03:40
The arrangement of historical materials with great value is generally unreliable for reflection. This kind of man-eating catastrophe is bound to repeat itself. In the final analysis, it is the day when animals compete for the survival of the fittest and the economy is poor, people will eat each other. Moral compulsors should study technology instead of digging in their virtues, such as inventing that a grain of food produced a day can be eaten for a year. btw I don't see any discomfort, and I imagine that I must be one of the people who was killed because of my weakness. I still don't feel it.
Trisha 2022-03-27 09:01:14
Memory and forgetting are the enduring motifs of Resnais' films, and this film is the starting point of this motif. When Resnais made this film, he clearly separated the past and the present (the time of the fascist atrocities and the time of the filming), using black and white to express the brutal past of the concentration camps, and color films to express the peaceful present of the concentration camps. Commentary written by novelist Jean Cayrol adds to the film's unparalleled impact. (via Time Network)
Récitant/Narrator: Death makes his first pick. Another choice is made in the morning in the night and fog.
Récitant/Narrator: When the Allies open the doors... all the doors... the deportees look on without understanding. Are they free? Will life know them again?
