a little feeling

Oswaldo 2022-03-24 09:03:21

Copying Beethoven

Copying Beethoven

Compared with the biography of Mozart, this film has to be said to be a failure. Of course, from the perspective of the film, I don't understand why the director must add emotional scenes when he wants to show the birth of Bei Jiu. But the movie is not unworthy of watching. Bei Jiu has listened to it no less than fifty times, but to be honest, this time, he almost lost control of his feelings. Duan Melody, the kind of struggle against fate and the victory of human beings in the end makes you burst into tears for a while, and then full of power
for a while. The level of performance can only be said to be very general, but the investment brought by the sense of picture is still stronger for me. As far as hearing is concerned, just putting yourself into the music can definitely be very enjoyable. Although Bei Jiu is sometimes repetitive and lengthy in structure, it is the absolute pinnacle in content. In the words of the movie, from this moment on, the music has been changed. The perfect third movement has never heard such a beautiful melody, not simply sweet and greasy, and the chorus of the fifth movement is the cheers of human victory.

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  • Johanna 2022-04-23 07:03:57

    She has nice breasts nice looking but no brain, but she is exactly 4 soul characters, Diane kruger did not hold up this role, only sisters like Helena and Juliet Binoche are competent for such roles, helping Bei beat the beat I can't watch it anymore.. Beethoven's acting is okay, Martin and Carl like it.. The music is shocking, but unfortunately there is no credit for the filmmakers. "Silence is the key."That's

  • Gail 2022-03-26 09:01:12

    Still only love the dress of dragging the long skirt. Bei Jiu's chorus is too explosive and powerful

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Copying Beethoven quotes

  • Ludwig van Beethoven: I'm a very difficult person, Anna Holtz, but I take comfort in the fact that God made me that way.

  • Ludwig van Beethoven: [conclusion--Beethoven is describing his "Song of Thanks to the Deity"] No key. It's common time, molto adagio, sotto voce. First violin, quarter notes. Middle C up to A. Measure. G up to C, tied, F. Second violin, bar two. Middle C up to A. Double note E, G, C. Viola clef, 2B pressed. It's a hymn of thanksgiving to God, for sparing me to finish my work. After the pianissimo, the canon resumes. First violin takes the theme. Viola, C to A. It's growing, gaining strength. Second violin, C to A, an octave higher. Then the struggle. First violin, C, up an octave, and then up to G. And the cello, down. Pulled down. Half notes, F, E, D. Pulled constantly down. And then, a voice, a single frail voice emerges, soaring above the sound. The striving continues, moving below the surface. Crescendo. First violin longing, pleading to God. And then, God answers. The clouds open. Loving hands reach down. We're raised up into heaven. Cello remains earthbound, but the other voices soar suspended, for an instant in which you can live forever. Earth does not exist. Time is timeless. And the hands that lifted you caress your face, mold them to the face of God. And you are at one. You are at peace. You're finally free.

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