Crazy plot, crazy director

Jarret 2022-03-24 09:03:21

As a classical music fan + Beethoven fan, I tried watching it... Then I found that the whole film was full of crazy words, which made me on the verge of a nervous breakdown for a long time, and I haven't recovered yet...

First of all It's about the master's hearing problem... It is said that Beethoven was deaf and isolated from the world that created his grumpy and gloomy character... In this film, Beethoven can communicate with people smoothly, even without writing. , I really don't see where it is isolated from the world! Looking at the character again, this is not called violent, this is called violent... At the same time, it is quite tangled... Director, you are crazy!

Then, let's talk about the relationship between Carl and Beethoven in this play... The uncle and nephew's love that was destined to be a tragedy was directly turned into a youthful and warm family idol drama - I even heard Bei Jiu Ting cry, what the heck! Director, you are too arrogant!

What follows are all kinds of small white plots... The places worth complaining about so far are listed as follows:
1. At the beginning, Beethoven held Anna's chin to talk to her... This is not the so-called "evil charm and domineering" The classic action of the hero of a romance novel! This is not the hero of the novel, this is Le Sheng! This is the master of music! Still an old master of music! When I see this, I want to smash the computer...
2. Mocking the heroine & asking the heroine to help him take a bath... Who has ever seen such a lewd, lecherous and disrespectful master?
All I can do is to brainwash myself: this is not Beethoven, this is not Beethoven, this is definitely not Beethoven...
3. Go to the monastery and kneel down to apologize to the hostess & let the hostess help me direct... Seeing this, I finally couldn't bear it anymore. Beethoven, who was rebellious and didn't take off his hat and salute when he saw the royal family, actually knelt down to a nun in order to apologize, just to apologize? Thank you director for making me see the funniest joke I've seen this year. Well, when I saw that Beethoven asked the heroine to help him direct, I just realized that the one just now was not the funniest one...
4. The appearance of the heroine's boyfriend and the construction competition... I don't care about the appearance of this plot I just want to comment in four words: there is a hip!
5. Beethoven walked out after the big fugue and suddenly fell unconscious on the ground. After calling the doctor, the doctor treated Beethoven. Anna watched anxiously beside him... Dare you be more hypocritical! The classic plot of a love idol drama... Is Anna really just a scribe? I don't understand why everything has to be related to love. Be careful with your "eternal lover" and take your life with you...

The final general evaluation: put countless small pieces of paper on Beethoven's body and then smear him infinitely just to highlight the heroine's big bad movie... Finally say something , Director, be careful when Beethoven comes to your house at night and picks up the chair without saying a word...

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Extended Reading
  • Ivah 2022-04-24 07:01:22

    Beethoven's Ninth Symphony

  • Gia 2022-04-23 07:03:57

    The film is so detached, and the director is too eager to teach Beethoven's talent, music, and loneliness, but after seeing it, I realize that the director doesn't know Beethoven very well. For example, Anna in the film, we can't enter Beethoven's God. Realm, I was like this in the past, I have not changed now, and I will still be in the future. No mortal person has ever known me or known me.

Copying Beethoven quotes

  • Ludwig van Beethoven: I'm a very difficult person, Anna Holtz, but I take comfort in the fact that God made me that way.

  • Ludwig van Beethoven: [conclusion--Beethoven is describing his "Song of Thanks to the Deity"] No key. It's common time, molto adagio, sotto voce. First violin, quarter notes. Middle C up to A. Measure. G up to C, tied, F. Second violin, bar two. Middle C up to A. Double note E, G, C. Viola clef, 2B pressed. It's a hymn of thanksgiving to God, for sparing me to finish my work. After the pianissimo, the canon resumes. First violin takes the theme. Viola, C to A. It's growing, gaining strength. Second violin, C to A, an octave higher. Then the struggle. First violin, C, up an octave, and then up to G. And the cello, down. Pulled down. Half notes, F, E, D. Pulled constantly down. And then, a voice, a single frail voice emerges, soaring above the sound. The striving continues, moving below the surface. Crescendo. First violin longing, pleading to God. And then, God answers. The clouds open. Loving hands reach down. We're raised up into heaven. Cello remains earthbound, but the other voices soar suspended, for an instant in which you can live forever. Earth does not exist. Time is timeless. And the hands that lifted you caress your face, mold them to the face of God. And you are at one. You are at peace. You're finally free.