Mary, as the starting point of the film's perspective, may resonate more strongly. Because I saw F's wonderful water ballet performance, I was deeply infatuated with it. In exchange for getting into the pool, M escorts F for a secret date in exchange for getting up close and personal with water ballet (or f). M is like a little sidekick who is dating her for training and competitions, and F's behavior of taking care of M, coupled with her beauty, figure, and mysterious charm, M, who is introverted and not much talkative, slowly develops a little love. In contrast, he is thin and plain and does not belong to the swimming team. F is more like an object of worship. He can only continue to follow, hide his love and rescue her again and again on dates.
Mary's emotional line has ranged from falling in love at first sight (water ballet performance),
to taking her into the swimming team many times and taking care of her (emotional improvement),
to being unable to bear to continue to accompany her on a date and waiting on the side (Sisi is heartbroken but unable to do anything ) Just give up),
catch up with her at F, sit beside the water and reveal that he has no relationship with others, changing the image of the cold and cold sister in the past, more like a little girl shyly talking about her story (further falling into her The beauty of it)
If the above-mentioned lines of emotional changes are produced by M's own internal causes, then the following times are caused by F to produce M. Putting the medal on M's neck on the bus back from the competition (more like an act of letting her truly integrate into her own world and sharing the honor),
going to the bar F's personal dance (stirring M's heart so much that she is overwhelmed) I stared at her blankly... but in the end I went to dance with another man and got a little cold).
After rescuing her from the man she was dating, the two laughed in the sky (the ambiguous and green one seemed to be about to kiss, and there was another deer bumping)
Lying on the bed F tried to hold M's hand, but M kept avoiding it (wanted but resisted, heartbeat)
F asked her to do it for the first time (the sad one actually wanted her very much, but didn't want to complete a certain task in place of a man ) I did it, sadly refused, and my feelings fell)
with the mentality that a cheap and stinky man might as well come on my own, I finally did it. When F was with the man at night, she stayed downstairs for a long time (the emotional fall was extreme) and
unexpectedly learned that Nothing happened between the man and F (at this time, she still held a bit of luck and felt that F still had her in her heart, and she didn't have the heart to do it with other men, and her feelings rebounded)
Finally, at the party, she pulled F, who was making out with the man, to him. On the side, F kissed casually, and said that the kiss was as simple as that, and if she wanted to rescue her on the next date (in an instant, her heart was dead...)
M very well performed the story of a sad girl who had a crush on her. Whether it is in LES or heterosexuality, we can find a similar mental journey, because in our own life we are all playing M, loving someone around us, we are thinking of ways to get close to them, and we think of ways to protect and care for them. , or even match TA with others and act as a solid backing role, even if the other party occasionally casts a look or an ambiguous move, I don’t have the slightest confidence to believe that TA likes me, I don’t have the courage to return the other’s hug, but I can only turn around Go and pretend to ignore it.
For myself, I like F's personality, mysterious and lonely. It was destined to happen that she and M would become inseparable friends. A lonely goddess. When everyone misunderstood her as a bitch, there was such a small sidekick who didn't talk much and didn't ask questions. As a lonely For a long time, her heart is longing for someone who can enter her world, who can tell, who can accompany her to seek stimulation, or even complete it for the first time. So she was also afraid of her leaving. When M shook her off and wanted to leave alone, she eventually chased him out, and purposefully told her that she seemed to be a more real self.
Of course, I want to believe that F is also in love with M. In his bones, F has the domineering power of a queen, the desire to control everything, and he always withdraws when he wants to have a relationship with a man.
I may not be understood by most people, but it's good if you understand me; I have the idea of going wild, and I also want you to accompany me to protect me; I also want to get close to you, hold you and kiss you, but your avoidance , let me think that I should go fool around with others, so that you will save me by the side.
I believe even more in the many scenes in the film where F wants to kiss M but stops, F really wants to kiss, but when he wants to kiss and stops, he is as uncertain and lacking courage as M, kissing, holding hands, going crazy, asking for the first time Even the temptation is uncertain, and M's resistance attitude further discourages F. Then she made the final decision, that is, she finally kissed M, but what she showed was not a kiss of true love, it was more like a kiss of love, and on the surface, she maintained her previous royal sister's indifferent and romantic style. When she finally danced on the dance floor, her heart must be full of sadness no less than M. She must be thinking, M shouldn't feel that she is inexplicable, and she has finally kissed, and I hope the previous relationship can be maintained. . .
In the whole play, F's emotions are as mysterious as the lines of this play. It is precisely because many things are not clear, many courage are not practiced, and many kisses and love are not directly presented, so the audience will feel deeply touched, as if there is nothing. , the looming feelings will be so real.
The happy endings are all the same, but the unsatisfactory ones are different. I tend to have a happy ending. At first, I thought that F and M would be together. After seeing it, this ending is also a good ending. More uncertainties also give people more room for reverie. At least the protagonists have grown up.
In the years of youth, most of the things are put down in the heart. They start quietly, and they leave quietly. When hidden in the heart, the sweetness and sourness even become zero in the end. At least we are growing during the whole process. The last growth has started a new life again.
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