That's embarrassing

Kaelyn 2022-04-05 09:01:07

On the way back from watching the movie, I thought, God, the most embarrassing thing about this movie is that, except for the editor's wife, none of the main actors are Americans. The stories of American writers and American editors, you are all foreign actors, which is embarrassing.

Let's talk about it first, it is indeed a neat movie, the photography and color tone are very good, the cast and the appearance of the actors are also worthy of the time and ticket price. Probably because I was looking forward to the "text editing" aspect of this film, and the film does show how editing cuts down on writers to make them successful. My expectations have been met, so I still think this movie is good. Another reason may be that I don't know much about literature, so I don't have any preconceptions about what the film presents, so the acceptance level is quite high. Including the editor starting to read the writer's work, the process of editing and redacting, and the cameos of Fitzgerald and Hemingway, both feel fresh and find some familiarity through the American literary gossip that has been gained from the film over the years. (I know American literature from watching movies.)

Actually, I have nothing to say about performances. It is difficult for me to find such a thing as "poor acting" by foreigners. For me, extremely bad performances only exist on the Spring Festival Gala stage or Lin Zhiling. The TV series played by my sister (but I think sister Zhiling is very good, but really stop acting). The already crazy character is actually difficult to handle, and he has to speak with a southern American accent. Has Cass considered McConaughey Black? But with your toes, you can figure out how he played this role. In addition, this is the second time Jude Law and Nicole have acted as a couple, the last time was "Cold Mountain". I think Nicole's character is not bad, and the editor's wife is also very good.

Not bad, it's actually a plot. But this may not be possible, after all, it is a real person, and the style is this realistic style, and the space that can be used may not be easy to operate. Of course, that doesn't excuse the cliché of the plot. If you can focus more on the "editing" aspect (not this role), and be more concise about the family and emotions of the two male protagonists, it may make the movie more distinctive. In addition, it is said that it is the director's screen debut, so in fact, it can be regarded as a complete completion of the task. It's just that some emotions can be stronger and are not released. As a result, I made a warm literary film, and the plot was very step-by-step. If I knew about the writer or watched the film for the story, I would be disappointed.

After all, including the recent Clank Wolf 3, my biggest impression is.
Oh, how much I love the rain...

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Extended Reading
  • Demarco 2022-03-29 08:01:02

    At the beginning, it was a bit subtle that there was a table of girls sitting in Uncle Lian's house, so I actually understood the passion in my heart after meeting Uncle Qiu, and my wife also knew very well that Uncle Lian wanted a son, but it was a pity that Nicole was in the world of drama YY has become the basic love, and the debate with Uncle Qiu on the stage also confirms that this is a very dramatic official complaint? Finally just want to say: sometimes people just go away

  • Randy 2022-04-02 09:01:17

    The choice between love and friendship, the bond between writer and editor. A film with a strong sense of literature.

Genius quotes

  • Thomas Wolfe: Who better to talk to? The man who created something immortal. More and more I trouble myself with that. "The legacy." Will anyone care about Thomas Wolfe in 100 years? Ten years? When I was young, I asked myself that question every day.

    F. Scott Fitzgerald: I used to trouble myself like that every day. Now I ask myself, "Can I write one good sentence."

  • [last lines]

    Thomas Wolfe: [Max reading Tom's deathbed letter] Dear Max, I've got a hunch, and I wanted to write these words to you. I've made a long voyage and been to a strange country, and I've seen the dark man very close. And I don't think I was too much afraid of him. But I want most desperately to live. I want to see you again. For there is such an impossible anguish and regret for all I can never say to you, for all the work I have to do. I feel as if a great window has been opened on life. And if I come through this, I hope to God I am a better man and can live up to you. But most of all, I wanted to tell you, no matter what happens, I shall always feel about you the way I did that November day when you met me at the boat and we went on top of the building and all the strangeness and the glory and the power of life were below. Yours always, Tom.