This is a film made for the "Seoul people." As time progresses, the urban and rural differences are getting bigger and bigger. This film uses "no island" to show that the more developed Seoul is, the more primitive other places will be. If you want to escape to Seoul, the roots of the Seoul people are in their reality. The meaning of the last shot lies in this. The whole killing process and the previous preparation are in place. The recorder selected by the director is very successful. It can become the last killing tool. The two halves symbolize the irreparable relationship between the two women, and it is also a sexual metaphor. However, the ending feels too rushed. The most impressive thing is the indifference of the Seoul people. This is also the excellence of this type of Korean film.
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