The movie itself is the ghost

Kellie 2022-03-23 09:02:46

Assayas always uses an indifferent, loose, dissertation-like analytical attitude to describe those things that he is obsessed with, especially when doing genres, often the concept is the first, as for the specific plot, often It is secondary and fragmented, the passages and even the gaps between the shots are where the viewer peeps, sniffing the weirdness oozing out of it and slowly immersing in the layers of veil-like seductive pictures.

Carter 2022-03-19 09:01:07

Assayas is a director of a very American B-level film, and he always has an uncontrollable desire to talk about a few things that are completely out of the box in a way of thinking about it. Watching this movie, there is always the illusion of watching Aldridge's "Dead Kiss". The beginning is endless but the ending is awkward. But the genius of Assayas lies in that he is very French: so Stewart's unparalleled cold and feminine handsome T image squeezed the film into a whole