You and I are both Monica

Kenton 2022-03-25 09:01:19

Slowly narrating, I have to say that black and white movies have not been able to cover up the summer hormones. Love comes as soon as you say it, if you like it, you go directly, and if someone disagrees, you run away. No more work, no more old lovers, no more family. What you want is freedom, reality comes, kids and money. Money is definitely a problem, but this child comes as soon as he says it, and Monica has not grown from a little girl to an adult, but Harry has grown up quickly. In the end, Monica was smoking a cigarette in a private meeting with her old lover and slowly turned her gaze to the camera for several seconds, and met the audience directly. At that moment, did she once again escape from another family that bound her? No, she was just having fun, her eyes were melancholy and calm and longing to be free again. Harry and Monica divorced and moved out of the house. Facing the mirror that was once placed in the room, Harry stared at himself in the mirror with the child in his arms, and then his eyes slowly rolled. As expected, he also had a direct encounter with the audience. See. His marriage was unhappy, a grave of love, leaving behind endless quarrels and crying babies.
Harry as a man has troubles that are still hot. Family or business. I could have both, but Monica wants love and freedom, and Harry understands that only material can have love and freedom. He works and studies for better materials. He can buy Monica a coat, pay rent, and raise children. However, Monica still hasn't grown up. She is a bad girl. She continues to smoke and drink, and have sex with her old lover at home. Bergman used an old trick that is still outdated. Harry, who came home a day early from a business trip, found Monica cheating in the house. Instead of Monica, Harry performed the narrative in this segment.
There are many key plots in the film that are not directly shown, but through lines. For example, when Monica gave birth to a child, Harry’s colleagues asked Harry about the details, and the audience learned about it; in the end, Harry and Monica’s divorce was not directly revealed, but Harry’s aunt asked to hold the child. Harry, what happened to the child since her mother left her alone. The strong performance is the carefree paradise life of Monica and Harry by the sea. Monica's family didn't find them the runaway girl, and Harry's aunt believed Harry was going camping.
There was always plenty of sunshine and food, and Monica was bold and naked, showing her joy at the freedom she had never experienced before. Monica has everything she wants, love freedom but she doesn't have enough bread. She was caught stealing food again. Suddenly caught back to reality, the hostess called the police angrily, while the maid cut the steak for her, and the hostess' daughter also came to talk to her. Monica is rebellious and irreducible, and while she asks why some people are lucky and some people are not, she grabs the steak and goes back to the yacht to eat a big piece.
Every girl is Monica, and as she grows up, she will find that it will be more and more difficult at home. Those who want to escape from their families are not only children with hysterical mothers who are alcoholics, but also children who grow up in an environment where their fathers love their mothers and do not worry about food and clothing. No matter how much my father loves and loves my mother, when I reach adulthood, it will not be the same as before, and I will start to hate each other.
Most of the desire for freedom comes from dissatisfaction with the family. Maybe too restrictive, maybe too indulgent, maybe neither. Every girl wants to be Monica. Elope with a loved one to escape a smoky family. If I want to be a girl, I just want a coat, I don't care about the world, I don't care about the children. But when most girls face children, they will suddenly grow up. Movies are movies after all. In reality, the birth of a child will force a girl to grow into a mother. It may be incompetent, but a child is a new life, and a new Monica will be born, and he will become Monica's mother unknowingly.
Life is sincere and precious, and love is more expensive. If it is freedom, both can be thrown away. In the end, Monica still chose freedom, but I think that Harry will become the harbor of the prodigal son Monica. One day, Monica who understands the world will return to Harry's side, and only wish for a stable happiness.
Art is above life, and it's the best way not to go after Monica's end. Harry is an excellent and good man, responsible, self-motivated and loyal. It's just that he fell in love with the unruly Monica when he was young. Marriage is the grave of love and the end of both of them.

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Extended Reading
  • Will 2022-03-16 09:01:06

    I was angry with the girl, but after another thought, she was only 18 years old. The facial close-ups of the two heroes and heroines are the highlight moments. Thinking of those young and loving times are always gone forever. It's very sad. (Bergman himself did the pre-filming guide.

  • Marge 2022-03-27 09:01:18

    96min Ciné-club Jean Douchet (recorded by YR) | 20180929 Retrospective Rewatch DCP (although the website is marked as 35mm)

Summer with Monika quotes

  • Monika Eriksson: Now we can go wherever we like.

    Harry Lund: Like you said that time at the cafe: "Let's go away!" Let's forget about all those bastards.

    Monika Eriksson: I hate them. Everyone who holds us back, who wants us to grovel.

    Harry Lund: Let them scurry around like rats - - we won't be there.

  • Harry Lund: Imagine them slaving away at Forsberg's now.

    Monika Eriksson: And down in that old cellar, carrying crates around in the dust and dirt.

    Harry Lund: We've rebelled, Monika, against all of them.