[1] One sentence spoiler: The woman who was pregnant with a parasitic child for 25 years was induced by the gene in her stomach that was supposed to be called "sister", and had a bizarre spring dream. Well, there is no ghost and no ghost. Finally, there is a piece of popular science, which is almost a pornographic version of "Approaching Science". After cutting out a few scenes, maybe the Radio, Film and Television Bureau can pass it and release it in China. (Dreaming) [2] Highlights: reality and delusion. Director Ou Rong is a director who is very good at creating a suspenseful atmosphere. The text and reality in the masterpiece "Into the House" are intertwined and overlapped, and the plot, which is both true and illusory, is fascinating and intoxicating. The same applies here. The heroine, who often suffers from abdominal cramps, seeks countless doctors but can't figure it out. She is advised to try consulting a psychiatrist. After receiving psychological treatment, there were signs of relief for a time. In fact, her sister in her body was "activated" and began to occupy and affect her emotions, causing her to have a series of fantasies. Numerous shots hint at this evolution, starting with the sudden appearance of a vaginal expander at the beginning and a vagina visible in a voyeuroscope (in the director's interview, suggesting that "people" are hidden in the womb); Closed in the cabinet, this may be caused by the sister's doppelganger; the boyfriend who sees the psychiatrist also has a twin brother who also learns psychology (I think this is a non-existent person from beginning to end, including the later ex girlfriend); frequent mirrors or scenes where the two are side by side or symmetrical, etc. Reality and hallucinations with almost no boundaries will confuse the audience and find no way out. [Three] People walk. There are many scenes directly depicting sex in the movie. Although the spring is full, the heroine with poor breasts shows more beautiful lines on the waist and rippling between the crotch, and the picture is beautiful. A few run-up dramas, ranging from gentle to rough, from passive to active, are all caused by her sister's genes. There is also the expression of the heroine's personality change, and the male protagonist has G sex, which are all manifestations of the personality being controlled by the sister. Among them, there is also the most daring one-off 3P, which is full of sensuality and flesh. At first glance, I thought it was "Angel's Sex". The phantom of the elder brother came quietly from the darkness, and the heroine went from being shocked to enjoying silently, without any intention of being awkward or struggling. Of course, this part is her wishful sexual fantasy, as can be seen from the scene where she also begins to incarnate as a two-headed weirdo during the orgasm. My sister is about to pupate out of her body, and she wants to compete with the twins. It seems that it is not a fantasy unique to men. The ambiguous and seductive kiss of the twin male protagonists made Director Ou Rong's preference for males reveal the tail of a fox once again. The film's suspense is compact and engaging. The mirror image and composition are first-class, and the imaginary scene in the dream is very imaginative . It seems heavy to use "love" to answer the source of doubt. But the ending explained everything with the hallucinations and resentment of a parasitic fetus. This kind of routine is almost standard in domestic horror films, and it always seems a little unfinished.
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