Two men with personality flaws, and a woman with a weak will. Lermontov has a strong desire for control, does not understand love and is extremely squeamish; Julian is selfish and regards art as a child's play; and the poor heroine, who loves both love and ballet career, is in two maddened. Under the coercion of the man's two phases, he finally ended his life. Art is great, and love is also great. If one of the two is willing to put down his posture a little and be considerate, there will be no final tragedy, but Peggy's death is not entirely attributable to others - if the inner direction is enough Clearly, no one can stop it.
This film is more like a ballet documentary to me. The backwardness of ballet technology in the middle of the last century compared with the present is really obvious here. The ballet repertoire chosen in the film is also interesting - Giselle, Swan Lake, Coppélia, these tragic ending ballets allude to the heroine's final fragrant fall; the play in the red shoes reminds me of the play Manon in POB La Traviata, a double-line hint, a bleak ending; Peggy's death Afterwards, the red shoes continued to perform, very much like Pavlova recalling her "death of the swan" after her death. The spotlight followed the phantom of her dancing in the past with the music. The beauty who was filled with flowers and applause wherever she went has passed away and will not come back.
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